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THE CRANKYPANTS TEA PARTY

Delightful art and charming characters can’t compensate for a flawed narrative structure.

Clarissa invites her stuffed animals to a tea party, but they respond with gruff, grumpy refusals.

The animals (Elephant, Rabbit, Pig, Monkey, Bear, and Pup) all harbor different grudges, which they share with Clarissa (a paper-white, ebony-haired tot about their size) while she brightly tries to persuade them to party. “Clarissa: Let’s get started. Who’s going to bring the chairs? / Rabbit: Not me. Nuh-uh. You left me outside. I’m still damp. / Pig: I’m losing my stuffing. BECAUSE OF YOU!” All those colons and speaker designations appear throughout what could’ve been a charming story, compromising lively dialogue and disrupting narrative flow. Sadly stilted when read aloud, this book won’t find an audience with independent readers, who will find the stuffed animals and their grievances (lost stuffing, knotted shoelaces, and soap in the eyes) just a bit too infantile. Readers of any age can relate to occasionally acting like a crankypants, and they can also find much to love in such evocative, empathetic illustrations. Acrylics give color (lemony yellows, grass greens, and mellow reds) and shape (lovely, loose linework) to vivid feelings (shown effectively as weather changes). The group reaches reconciliation as Clarissa unravels a series of misunderstandings, demonstrating how heightened emotional moments can resolve and actually bring people closer together. Unfortunately, the narrative form will keep readers from appreciating all this.

Delightful art and charming characters can’t compensate for a flawed narrative structure. (Picture book. 2-6)

Pub Date: June 23, 2020

ISBN: 978-1-4814-5900-6

Page Count: 40

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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STOP! BOT!

The visual details invite interaction, making it a good choice for storytime or solo inspection.

It’s a quiet day, until….

“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.

The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)

Pub Date: July 23, 2019

ISBN: 978-0-425-28881-8

Page Count: 40

Publisher: Viking

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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