Delightful art and charming characters can’t compensate for a flawed narrative structure.
Clarissa invites her stuffed animals to a tea party, but they respond with gruff, grumpy refusals.
The animals (Elephant, Rabbit, Pig, Monkey, Bear, and Pup) all harbor different grudges, which they share with Clarissa (a paper-white, ebony-haired tot about their size) while she brightly tries to persuade them to party. “Clarissa: Let’s get started. Who’s going to bring the chairs? / Rabbit: Not me. Nuh-uh. You left me outside. I’m still damp. / Pig: I’m losing my stuffing. BECAUSE OF YOU!” All those colons and speaker designations appear throughout what could’ve been a charming story, compromising lively dialogue and disrupting narrative flow. Sadly stilted when read aloud, this book won’t find an audience with independent readers, who will find the stuffed animals and their grievances (lost stuffing, knotted shoelaces, and soap in the eyes) just a bit too infantile. Readers of any age can relate to occasionally acting like a crankypants, and they can also find much to love in such evocative, empathetic illustrations. Acrylics give color (lemony yellows, grass greens, and mellow reds) and shape (lovely, loose linework) to vivid feelings (shown effectively as weather changes). The group reaches reconciliation as Clarissa unravels a series of misunderstandings, demonstrating how heightened emotional moments can resolve and actually bring people closer together. Unfortunately, the narrative form will keep readers from appreciating all this.
Delightful art and charming characters can’t compensate for a flawed narrative structure. (Picture book. 2-6)Pub Date: June 23, 2020
ISBN: 978-1-4814-5900-6
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
The visual details invite interaction, making it a good choice for storytime or solo inspection.
It’s a quiet day, until….
“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.
The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)Pub Date: July 23, 2019
ISBN: 978-0-425-28881-8
Page Count: 40
Publisher: Viking
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
