by Barbara Demick ‧ RELEASE DATE: July 28, 2020
Memorable voices inform a penetrating, absorbing history.
A portrait of one town reveals Tibet's tragic past.
Demick, a reporter for the Los Angeles Times who served as its bureau chief in Beijing and Seoul, offers a vibrant, often heartbreaking history of Tibet, centered on Ngaba, which sits at 11,000 feet on the plateau where Tibet collides with China. The author made three trips to the town beginning in 2013, and she interviewed Tibetans in Ngaba and many others living abroad, including the Dalai Lama and an exiled princess, who spoke candidly about the culture, religion, and politics of the besieged region. Tibet has long been vulnerable to Chinese invasion: In the 1930s, Red Army soldiers, after ransacking farms and slaughtering animals, caused widespread famine. Desperate from hunger, they discovered that votive statues in the monasteries were sculpted from barley flour and butter and were forced into “literally eating the Buddha.” Demick chronicles decades of incursions, beginning in the 1950s, that resulted in cultural upheaval, economic hardship, and the deaths of about 300,000 Tibetans. Determined to sweep out religion, the Chinese demolished monasteries. Images of the Dalai Lama—or even mention of his name—incurred harsh punishment. Tibetans were herded into communes, where they could not even cook for themselves. Schoolchildren were indoctrinated to believe that the Communist Party “had liberated Tibet from serfdom.” By 1968, protests arose, demanding the “dismantling of the communes, the distribution of livestock to the people, and the right to reopen the monasteries.” Not surprisingly, the Communists refused, directing militias to intimidate and persecute the activists. The protests, Demick writes, “established Ngaba’s reputation for rebelliousness,” which intensified in 2009, when Ngaba became notorious for self-immolations, “an unequivocal register of discontent.” Although many Tibetans are grateful for the economic growth and technology that the Chinese have brought, the loss has been tremendous. “I have everything I might possibly want in life,” one Tibetan businessman told Demick, “but my freedom.”
Memorable voices inform a penetrating, absorbing history.Pub Date: July 28, 2020
ISBN: 978-0-8129-9875-7
Page Count: 368
Publisher: Random House
Review Posted Online: May 13, 2020
Kirkus Reviews Issue: June 1, 2020
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by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
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New York Times Bestseller
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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SEEN & HEARD
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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