An intelligently conceived and artistically executed reconsideration of religious history.
A novel reimagines the life of the Buddha’s wife, a powerful spiritual figure in her own right.
As Yasodhara, the daughter of the “village oligarch,” mourns the accidental death of her younger sister, Deepa, she is thrown into confusion and despair. She vows to find and rescue her sister’s spirit one day, a commitment poignantly depicted by McHugh: “Under the white misshapen moon, I knelt down and promised my sister that if at all possible I would find her soul so she could be with her family again and not have to travel through realms of samsara, lonely forever.” But years later, when her older sister, Kisa, on the cusp of marriage, dies as well, she offers to take her place and marry Siddhartha, hoping to lift the weight of her mother’s grief. Siddhartha has a reputation for frivolously enjoying sensuous pleasures but becomes a devoted husband, though he is plagued by the suffering of the world and tired of therapeutically creating “false paradises” to avoid it. He abandons Yasodhara and their son, Rahula, only days old, to seek spiritual enlightenment; he’s gone for so long she considers remarriage. Siddhartha eventually finds both spiritual awakening and a considerable following, but when Yasodhara decides to join his order, she is prohibited because she is a woman, a problem thoughtfully portrayed by the author. Refusing to be daunted, Yasodhara disguises herself as a male aspirant and assumes the name Ananda. She not only attempts to become a monk, but also persuades Siddhartha, now the Buddha, to open his ranks to women, a possibility some consider “preposterous.” McHugh deftly manages to vividly convey a moving drama with a message about female empowerment at its core without indulging in any heavy-handed, didactic sermonizing. This is an impressive tapestry of history, spiritual philosophy, and literary drama and an edifying look at the patriarchal limitations of Buddhism’s genesis.
An intelligently conceived and artistically executed reconsideration of religious history.Pub Date: Jan. 5, 2021
ISBN: 978-1-948626-23-1
Page Count: 360
Publisher: Monkfish Book Publishing
Review Posted Online: Nov. 2, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
PROFILES
A captivating Jewish twist on the classic American campus novel.
In Hopen’s ambitious debut, an Orthodox Jewish high school student finds his world transformed when his family moves to South Florida.
When protagonist Ari Eden leaves his bland life in Brooklyn—where he never felt deeply rooted—for a glitzy, competitive Modern Orthodox day school in the Miami suburbs, both readers and Ari himself are primed to expect a fish-out-of-water narrative. And indeed, Ari finds that his new classmates, though also traditionally observant by many standards, enjoy a lifestyle that is far more permissive than his own (a shade of Orthodoxy that is known as “yeshiva”). Suddenly Ari’s modest, pious world is replaced with a Technicolor whirlwind that includes rowdy parties, casual sex, drinking, drugs, and far more liberal interpretations of Jewish law than he has ever known. With its representation of multiple kinds of traditional Judaism, Hopen’s novel is a refreshing corrective to the popular tendency to erase the nuanced variations that exist under the umbrella of “Orthodoxy.” It also stands out for its stereotype-defying portrayal of Ari and his friends as teenagers with typical teenage concerns. But this is not just a novel about reorienting oneself socially or even religiously; though Ari’s level of observance certainly shifts, this is also not a simple “off the derech” (Jewish secularization) narrative. Ari’s new friend group, particularly its charismatic, enigmatic leader, Evan—a sort of foil for Ari—pushes him to consider new philosophical and existential norms as well as social, academic, and religious ones. The result is an entirely surprising tale, rich with literary allusions and Talmudic connections, about the powerful allure of belonging. This novel will likely elicit comparisons to the work of Chaim Potok: Like Potok’s protagonists, Ari is a religious Jew with a deep passion for literature, Jewish texts, and intellectual inquiry, and as in Potok’s fiction, his horizons are broadened when he encounters other forms of Orthodoxy. But Hopen’s debut may actually have more in common with campus novels like Donna Tartt’s The Secret History and Tobias Wolff’s Old School; its narrator’s involvement in an intense intellectual community leads him down an unexpected path that profoundly alters his worldview. The novel suffers due to its lamentably one-dimensional, archetypal female characters: the tortured-artist love interest, the ditsy blond, the girl next door. Hopen’s prose, and the scale of his project, occasionally feels overindulgent, but in that sense, form and content converge: This stylistic expansiveness is actually perfectly in tune with the world of the novel. Overall, Hopen’s debut signals a promising new literary talent; in vivid prose, the novel thoughtfully explores cultural particularity while telling a story with universal resonances.
A captivating Jewish twist on the classic American campus novel.Pub Date: Nov. 17, 2020
ISBN: 978-0-06-297474-7
Page Count: 480
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A vibrant celebration of identity and the push-pull between heritage and autonomy.
Three sisters coming of age in Brooklyn’s Syrian Jewish community navigate tradition, love, and self-discovery within the constraints of a tightknit religious world.
The novel opens as Fortune, the middle sister in the Cohen family, thinks about her upcoming wedding to Saul Dweck, a nice boy from the neighborhood who meets every expectation but stirs little passion. Fortune has been working as an office assistant at her father’s company, biding her time until marriage, as is expected. Her older sister, Nina, spends her days helping their mother with her thriving catering company. At 26, Nina’s already considered a spinster, yet she’s just beginning to think about what she might want from life. When a job at a record label falls in her lap, she grabs it, eager to taste independence beyond their insular community. Meanwhile, the youngest sister, Lucy, a senior at a local Jewish high school, has recently caught the eye of a highly eligible 30-year-old doctor named David, and nobody seems to mind their glaring age difference. As Nina and Lucy begin to challenge what’s expected of them, Fortune begins to wonder whether she has the courage to upend her safe, preordained future with Saul for something less certain, but perhaps far more satisfying. Told in alternating first-person narratives from each of the three sisters, the novel offers many evocative, chaotic, slice-of-life moments. From the savory smells of traditional dishes, to the sharp-edged banter among mother and daughters, the story is chock-full of vivid details and prose that brings the rhythms of this Syrian-American Jewish family to life. The relationship between Lucy and David, and the unequal power dynamic between this 18-year-old high schooler and a much older man, raises concerns that warranted greater attention, leaving a gap in an otherwise thoughtful portrayal of gender and tradition. Even so, this plot-driven novel deftly examines weighty themes like generational pressure, sisterhood, and quiet rebellion, creating an intimate, tender, and insightful portrait of women carving space for themselves in a world that offers them little room to breathe.
A vibrant celebration of identity and the push-pull between heritage and autonomy.Pub Date: July 22, 2025
ISBN: 9780593734544
Page Count: 320
Publisher: Random House
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
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