An intelligently conceived and artistically executed reconsideration of religious history.
A novel reimagines the life of the Buddha’s wife, a powerful spiritual figure in her own right.
As Yasodhara, the daughter of the “village oligarch,” mourns the accidental death of her younger sister, Deepa, she is thrown into confusion and despair. She vows to find and rescue her sister’s spirit one day, a commitment poignantly depicted by McHugh: “Under the white misshapen moon, I knelt down and promised my sister that if at all possible I would find her soul so she could be with her family again and not have to travel through realms of samsara, lonely forever.” But years later, when her older sister, Kisa, on the cusp of marriage, dies as well, she offers to take her place and marry Siddhartha, hoping to lift the weight of her mother’s grief. Siddhartha has a reputation for frivolously enjoying sensuous pleasures but becomes a devoted husband, though he is plagued by the suffering of the world and tired of therapeutically creating “false paradises” to avoid it. He abandons Yasodhara and their son, Rahula, only days old, to seek spiritual enlightenment; he’s gone for so long she considers remarriage. Siddhartha eventually finds both spiritual awakening and a considerable following, but when Yasodhara decides to join his order, she is prohibited because she is a woman, a problem thoughtfully portrayed by the author. Refusing to be daunted, Yasodhara disguises herself as a male aspirant and assumes the name Ananda. She not only attempts to become a monk, but also persuades Siddhartha, now the Buddha, to open his ranks to women, a possibility some consider “preposterous.” McHugh deftly manages to vividly convey a moving drama with a message about female empowerment at its core without indulging in any heavy-handed, didactic sermonizing. This is an impressive tapestry of history, spiritual philosophy, and literary drama and an edifying look at the patriarchal limitations of Buddhism’s genesis.
An intelligently conceived and artistically executed reconsideration of religious history.Pub Date: Jan. 5, 2021
ISBN: 978-1-948626-23-1
Page Count: 360
Publisher: Monkfish Book Publishing
Review Posted Online: Nov. 2, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
PROFILES
A thoughtful portrait of one revolutionary’s remarkable resilience, far from home.
One of Mexico’s greatest political leaders enters his wilderness years in the rough streets of New Orleans just before the U.S. Civil War.
In an abbreviated but essential preface, Herrera explains how future president of Mexico Benito Juárez came to live in New Orleans for two years beginning in 1853. Having already served as governor of his home state of Oaxaca but long before he will hold off an invasion by France, he’s been sent into exile by political rival General Santa Anna, along with his brother-in-law Pepe Maza. No one living knows what happened to Juárez in the Big Easy, so Herrera’s suppositions are well grounded between history and creative license. Asked by a new friend what brings him to town, Juárez replies drily, “A slight diversion, a delta, you might say.” Even though Juárez is intimately familiar with Mexico’s brand of corruption, he’s unprepared to be beaten and robbed by the police upon arrival. He’s even less prepared for the realities of an American slave trade at its height. “These people farm people, they breed humans captured at birth,” Herrera writes. “These people fatten up their children, their own children, and then sell them.” The narrative is populated with real historical figures like fellow reformers Melchor Ocampo and Ponciano Arriaga, with one memorable scene featuring a concert on 10 pianos by American composer Louis Gottschalk. In fact, there’s a surprising richness to the milieu of a story mostly about meetings and letter writing. The New Orleans depicted here is carnivalesque, and the surreal spectacle of bear fights, spontaneous parades, and clandestine meetings, added to Benito’s colorful dreams about liberation and justice, give the story a vibrant, almost hallucinatory feel. Meanwhile, Herrera’s portrait of a leader in exile—rolling cigars, printing pamphlets, and plotting a revolution from the sidelines—depicts the frustrating dichotomy Juárez experiences between his lowly circumstances and his dreams of a better nation.
A thoughtful portrait of one revolutionary’s remarkable resilience, far from home.Pub Date: Oct. 1, 2024
ISBN: 9781644453070
Page Count: 160
Publisher: Graywolf
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
BOOK REVIEW
Vivid characters populate a riveting narrative.
A Dickensian world revisited.
Historical fiction writer Epstein rescues Dickens’ Fagin from his reputation as a slimy character who exploits orphans, training them in thievery in the clotted, filthy streets of Victorian London. Epstein’s Jacob Fagin is a lonely, emotionally wounded man; a master pickpocket to be sure, but also a victim of virulent antisemitism from all classes of English society, which treats the “skinny red-haired Jew” as vermin. Growing up in poverty in a Jewish enclave with a vigilant, caring mother, he takes Hebrew lessons with a neighborhood rabbi in the mornings, and, by the time he’s 11, wheedles his way into becoming the apprentice to a deft, gaudy pickpocket. It’s a skill, he realizes, “he must learn by doing,” and soon practice perfects his sleight of hand. He’s 16 when his mother dies, succumbing to whatever pestilence has swept through their mean streets—cholera, typhus, consumption, scarlet fever, influenza—and he’s left homeless. Epstein traces his fortunes and misfortunes as he manages to survive, settling into an abandoned building that becomes a refuge for orphans and runaways who want to learn his trade: Jack Dawkins, known as the Artful Dodger; Toby Crackit; Charley Bates; briefly, Oliver Twist; and the incorrigible Bill Sikes, who’s fled an abusive, alcoholic father. Sikes graduates from pickpocket to housebreaker, from a swaggering boy to a violent man so filled with anger that Jacob comes to fear for his life. Epstein captures the bravado and vulnerabilities of Jacob’s motley crew of orphans, and the gritty ambience of the alleys, cellars, and seedy pubs they inhabit. She brings to her portrait of Fagin—and even Sikes—a tenderness and empathy that renders them as palpable: men, haunted by loss, longing to be loved.
Vivid characters populate a riveting narrative.Pub Date: Feb. 25, 2025
ISBN: 9780385550703
Page Count: 336
Publisher: Doubleday
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
PERSPECTIVES
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