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LITTLE MISS MUFFET

From the Classic Books with Holes series

There are a few clever ideas in this series, but many of the added verses and the repetitive art feel forced to fit the...

The famed Mother Goose arachnophobe finds her picnic pilfered by various animals in this expanded adaptation.

The tale starts off with the familiar rhyme, but the next six verses switch things up a bit with a bird pecking at her curd, a parrot crunching her carrot, a bear gobbling her pear and so forth. Each time, Miss Muffet, a curly-haired Caucasian tyke wearing blue overalls, is frightened away. On the last page, she decides to stay when each of the previously offending critters brings her a snack. One die-cut hole is added to each subsequent right-hand page to reveal the new animal’s arrival, and on the left-hand page, the holes reveal the animal’s eating noises (“Gobble! Gobble!” or “Chew! Chew!”). While the cartoon Miss Muffet and animal visitors are playful enough against sunny-colored solid backgrounds, the art starts to look monotonous as the image of Miss Muffet fleeing the scene is repeated on each page. The new rhymes featuring poodles eating noodles and mice munching rice work well, but others in the Classic Books with Holes series are not as fortunate with their texts. In Itsy Bitsy Spider, the die-cut holes reveal additional spiders climbing on other parts of a house and yard; Itchy Nitchy scales the window box and Oochy Koochy ascends the apple tree in amateurish cartoons. In Hickory Dickory Dock, the page turns and die-cut holes spotlight further creatures scampering up the clock, such as a snake, a crab and a frog, as the hours grow late. The word choices in each stanza are clearly contrived to suit the scheme, and several of the creatures climbing the clock, particularly the sheep, bear and dog, are out of scale with one another and look odd in their clock-mounting attempts. In Mary Had a Little Lamb, the holes expose a total of seven lambs that follow the sheep-loving heroine around in all sorts of weather. While this book also has a few awkward rhymes, it does include some nicely diverse images. Mary’s class is multiethnic, and one member of her dance class uses a wheelchair. Music notation for each classic tune is included on the back of each book.

There are a few clever ideas in this series, but many of the added verses and the repetitive art feel forced to fit the die-cut-hole gimmick. (Board book. 2-4)

Pub Date: March 1, 2013

ISBN: 978-1-84643-511-9

Page Count: 14

Publisher: Child's Play

Review Posted Online: May 14, 2013

Kirkus Reviews Issue: July 1, 2013

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THE ITSY BITSY PILGRIM

From the Itsy Bitsy series

This holiday ditty misses too many beats.

The traditional story of the first Thanksgiving is set to the tune of “The Itsy-Bitsy Spider” and stars rodents instead of humans.

The titular itsy-bitsy Pilgrim, a mouse dressed in iconic Puritan garb, sails to “a home that’s new” with three other mice on the Mayflower. They build a house, shovel snow, and greet some “itsy bitsy new friends,” who are chipmunks dressed as Native Americans complete with feathered headbands, beaded necklaces, and leather clothing. While Rescek’s art is droll and lively, it is wildly idealized, and the Native Americans’ clothing does not reflect what is understood of Wampanoag attire. The companion title, The Itsy Bitsy Reindeer, presents equally buoyant scenes. The reindeer and several elves, who appear to be white children with pointed ears, help Santa (also white) prepare for his annual sleigh-ride delivery. In both books, would-be singers may struggle to fit all the words and syllables into the meter, and a couple of rhymes are extremely forced (“shop” and “job”?).

This holiday ditty misses too many beats. (Board book. 2-3)

Pub Date: Sept. 6, 2016

ISBN: 978-1-4814-6852-7

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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TWINKLE, TWINKLE, UNICORN

For the youngest of unicorn fanatics; others may want to look for their magic elsewhere.

A young unicorn frolics with friends and family to the tune and lyric structure of “Twinkle, Twinkle, Little Star.”

Predictably, the singable text reads: “Twinkle, Twinkle, unicorn, / sparkle with your magic horn. // Leaping over clouds so high, / like a diamond in the sky.” Each double-page spread shows the titular creature, yellow and with a rainbow mane, tail, and horn, leaping over rainbows, cavorting with bumblebees, and dancing with a pink bunny, among others. As night falls, the unicorn enjoys a story from what are likely parental figures, an older pink unicorn sporting a necklace and a blue unicorn with bow tie (it seems gender stereotypes exist among legendary creatures, too). Waring’s childlike art is a candy-colored explosion, with big-eyed critters, both legendary and real, all with chunky, toddler-esque physiques. While the verse is nothing new (“Twinkle, Twinkle Little Star” has arguably been rewritten more than any other children’s song) and there is little substance, it scans and sings relatively easily. Youngsters will be drawn to the sparkly rainbow on the cover.

For the youngest of unicorn fanatics; others may want to look for their magic elsewhere. (Board book. 2-4)

Pub Date: March 5, 2019

ISBN: 978-1-5344-3973-3

Page Count: 7

Publisher: Little Simon/Simon & Schuster

Review Posted Online: March 26, 2019

Kirkus Reviews Issue: April 15, 2019

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