For Arbor Day and every day.
Master of Plasticine Reid returns with a celebration of trees and the people who love them.
“There is more than one way to picture a tree.” So begins Reid’s sparsely written, lushly illustrated paean to trees. Written in the second person, the narrator allows readers to imagine trees in many different ways: from branches “drawing” in the sky to a tunnel of trees or an ocean of trees and anything in between. Though the gentle words will encourage readers to slow down and think about what they love about trees, it’s the art that’s the star here. The Plasticine is expressive, detailed and gestural, with emotions showing on each face and careful craft in even the tiniest leaf and twig. The background of each spread has been smoothed and textured, colored and filled with birds, leaves and airplanes. Readers will marvel at the amazing details she includes on each human and animal form—earrings, straw hats, melting ice cream—even eye-rolling teenage boys! The story arc takes readers from late spring to winter and through time. One spectacular double-page spread shows a modern barefooted child in a tree, but the reflection is an old-fashioned reader in socks wearing a rucksack. The varying perspectives shown make this a special book indeed.
For Arbor Day and every day. (Picture book. 3-8)Pub Date: March 1, 2013
ISBN: 978-0-8075-6526-1
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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