A stunning volume to be savored in a quiet, reflective mood.
A new edition of six previously published stories by Lopez, with engravings by Moser.
Lopez's fiction, like his nonfiction, is steeped in the natural world. “Desert Notes,” the first story in the collection, focuses on the elemental and largely silent world of the Mojave Desert. There’s no plot to speak of—just a narrator calling our close attention to a series of natural images. The main character in the second story, “Twilight,” is a pattern rug woven by Ahlnsaha, a Navajo woman, in 1934. We follow the ownership of this rug as it’s transferred from character to character—one gives it to his wife as a wedding present, another wants to make a profit from it, and still another donates it to the Catholic Church. Eventually the narrator acquires it from an antiques dealer, along with its mythic accretions—he’s told that “the rug has been woven by a Comanche who learned his craft from a Navajo [and] that she bought it on the reservation in Oklahoma.” Throughout “The Search for the Heron,” the narrator addresses a heron with poetic ardor: “Your sigh, I am told, is like the sound of rain driven against tower bells. You smell like wild ginger.” The other stories also feature the natural world prominently, as Lopez endows his landscape with light and lyricism. Moser's art adds greatly to the experience of reading these stories, capturing the passionate intensity of Lopez’s prose.
A stunning volume to be savored in a quiet, reflective mood.Pub Date: March 18, 2014
ISBN: 978-1-59534-189-1
Page Count: 120
Publisher: Trinity Univ. Press
Review Posted Online: Feb. 18, 2014
Kirkus Reviews Issue: March 1, 2014
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...
Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.
Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.Pub Date: Oct. 6, 2015
ISBN: 978-0-345-53348-7
Page Count: 368
Publisher: Bantam
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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