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I'M TELLING THE TRUTH, BUT I'M LYING

ESSAYS

Deep truths underlie this fragmented, compelling narrative, which leaves readers wishing only the best for its harrowed...

“Imagine you don’t fit anywhere, not even in your own head”: A Nigerian immigrant and debut author writes of mental illness and its staggering challenges.

Catapult contributing editor Ikpi opens with the suggestion that the fractured memories to follow in her memoir may or may not be true. “The trick to lying,” she writes, “is to tell people that you’re a bad liar because then they’ll believe what you say.” What she has to say is sometimes heartbreaking, as she recounts a search for reliable memories when she has so few of them. “I need to prove to you that I didn’t enter the world broken,” she writes before admitting the paucity of fact in a whirl of impressions and sensations. What she does know is that she doesn’t know. Things were kept from her, familial facts were forgotten, genealogies erased, and unpleasant truths swept aside. Little things proved overwhelming: the discovery, for instance, that “the twins from my favorite movie, The Parent Trap, were actually one person.” If the distance from Nigeria to Oklahoma was great, the leap to adulthood in New York was greater. Depression, bipolar disorder, and anxiety proved to be formidable opponents, isolation a constant even surrounded by millions of people. One of the most affecting parts of the book is a simple diarylike reconstruction of a long day that began and ended with an airplane flight, a day of sleeplessness, hunger, and worry (“this doesn’t happen to normal people”). Other strong moments in this relentlessly honest narrative recount failed love (“he was the only one I regret being too broken for”), the shame of not being the immigrant success her parents had hoped for, and the quest for wholeness amid a cornucopia of medications targeting a long list of troubles that she expresses simply: “I don’t feel good."

Deep truths underlie this fragmented, compelling narrative, which leaves readers wishing only the best for its harrowed author.

Pub Date: Aug. 6, 2019

ISBN: 978-0-06-269834-6

Page Count: 272

Publisher: Perennial/HarperCollins

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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