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MUD, SWEAT, AND TEARS

THE AUTOBIOGRAPHY

An inside look at the makings of an intrepid, insatiable explorer.

The fearless host of Man vs. Wild illustrates a highly spirited life.

Born in Britain in 1974, Edward Michael Grylls (his sister nicknamed him “Bear,” and it stuck) became heavily influenced by the strength and resilience of his great-grandfather, a British officer during World War I. His childhood memories include nervously anticipating school grades and thriving amid the tireless support (but limited attention) of two hardworking parents who urged him to “follow your dreams and to look after your friends and family along the way.” With unflagging confidence, Grylls (To My Sons: Lessons for the Wild Adventure Called Life, 2012, etc.) satisfied his adventurous side as a youth with frequent harrowing adventures with his father, a Royal Marine, and developed physical stamina in karate class, which tempered bouts of mischief. Grylls’ narrative is bolstered by its heavily anecdotal form. The author’s finely detailed account of a grueling, physically challenging stint in the Special Air Services becomes surprisingly overshadowed by the book’s centerpiece: the author’s arduous, three-month group expedition at 23 to the crest of Mount Everest. Utilizing skills polished in the British Army, he became one of the youngest mountaineers to reach that summit, which begat lectures, a deodorant commercial, appointment as the youngest ever Chief Scout to the Scouting Association and eventual celebrity status as an influential personality on the Discovery Channel (Man vs. Wild receives only a few cursory, concluding chapters). Grylls’ breezy account flows with the verve and uncomplicated language of an engaging novel and forms a satisfying life story brimming with excitement and adventuresome risk-taking.

An inside look at the makings of an intrepid, insatiable explorer.

Pub Date: May 1, 2012

ISBN: 978-0-06-212419-7

Page Count: 416

Publisher: Morrow/HarperCollins

Review Posted Online: March 30, 2012

Kirkus Reviews Issue: April 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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