Make room in your beach bag for this cozy summer read.
Three old friends return to their seaside hometown amid upheaval in their personal lives.
After 12 years together, Kate Campbell is convinced that her boyfriend, Thomas, is going to propose. Instead, he breaks up with her at the diner where they first met. Just six hours later she has moved out of the apartment they shared in the West Village and quit her job at the PR firm where she worked under Thomas’ mother. All of this is bad enough, but it’s leaving her life in the city to move back into her childhood home in Sea Point, New Jersey, that really throws Kate for a loop. She never imagined she’d be 34, single, and working two jobs to make ends meet—one at the local library, the other slinging drinks at the town’s watering hole, the Jetty Bar. But Kate’s not the only one whose summer isn’t going as planned. Her neighbor Ziggy Miller is reeling from the sudden death of his father, Zeke, and Ziggy’s not sure whether he can keep Zeke’s plumbing business going—or if he even wants to. When Ziggy reaches out to his best friend, Miles Hoffman—the privileged “Prince of Sea Point”—for help going over his father’s accounting, Miles agrees. But he’s coming home for another reason: His mother has informed him that he’ll have to prove himself if he wants to inherit the Wharf—the family’s lucrative Sea Point resort. When Kate, Ziggy, and Miles collide over the summer, they all contend with their past and present selves as big secrets come to light, family dynamics shift, friendships morph, and Sea Point threatens to change right before their eyes. The author perfectly captures what it means to come home again and rediscover yourself in the process.
Make room in your beach bag for this cozy summer read.Pub Date: June 29, 2021
ISBN: 978-0-525-50915-8
Page Count: 352
Publisher: Dial Press
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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