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THIS IS NOT A DRILL

Nevertheless, a vividly depicted and gripping tragedy.

In this fast-paced, suspenseful thriller, two high-school seniors and a classroom full of first-graders are held hostage at gunpoint by a distraught, emotionally disturbed parent. 

Classmates and former couple Emery and Jake have signed up to teach French to Mrs. Campbell's first-grade class three mornings a week. One day, their lesson is interrupted when Brian Stutts, an Iraq War veteran with post-traumatic stress disorder, barges into the room and demands his son, Patrick. Stutts is having a custody dispute with his estranged wife. When the teacher refuses to let Stutts take his son, he draws a gun. A security guard appears at the door, and the startled Stutts shoots him dead. When Mrs. Campbell lapses into a diabetic seizure, Emery and Jake are left to comfort the children and placate Stutts. Despite their own fears and self-doubts, revealed in alternating present-tense chapters, the teens are remarkably composed outwardly. Their history together and personal back stories—Jake has been adrift since his mother died; Emery has a nervous condition that brings on panic attacks—help keep readers involved as the pages turn. The hours-long standoff comes to a dramatic and violent climax, but the loose ends of the story are tied up too easily.

Nevertheless, a vividly depicted and gripping tragedy. (Thriller. 12 & up)

Pub Date: Oct. 25, 2012

ISBN: 978-0-399-25794-0

Page Count: 224

Publisher: Nancy Paulsen Books

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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