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BOUND BY BLOOD AND SAND

Ferocious and intelligent.

In this intriguing epic fantasy, the magic used to control limited resources eventually corrupts the social order as well.

After their distant ancestors’ attempt to seize the Well that nourishes the water-starved kingdom, the so-called Closest are eternally Cursed to obedient slavery. Now the Well is running dry, and the rulers command that distant estates be abandoned and their Closest left to die. But, astonishingly, one young Closest, Jae, has awoken the dormant magic that might be able to save the Well and the world—except she is more inclined to let everything burn. Debut author Allen has crafted a gripping narrative that explores complex questions of agency, the impossibility of remaining innocent in an unjust system, and how manipulating history enables the domination of the present. She does not shy away from depicting the corrosive effects of slavery upon every class or the graphic cruelty and abuse (including sexual) that result. Although everyone is described as variously “dark,” the Closest’s darker skin and curlier hair imply further racial stratification. Most of the characters’ motivations avoid simplistic moral binaries, and wrathful, ruthless Jae, who uses her newfound power to punish and even kill without regret, is a particularly courageous choice for a heroine. While this volume comes to a satisfying (if bittersweet) conclusion, there is clearly—thankfully!—more to come.

Ferocious and intelligent. (Fantasy. 14 & up)

Pub Date: Oct. 11, 2016

ISBN: 978-1-101-93214-8

Page Count: 304

Publisher: Delacorte

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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