A sometimes sedate and other times luminous story of rejuvenating love.
An unsought, late-in-life love blossoms between two women in Bohan’s quiet gay romance.
When Ellie Belmont, a 65-year-old retired writing teacher, spots 68-year-old, retired psychotherapist Kathryn Kepler in a Minneapolis Starbucks, she experiences the first twinge of desire she’s felt since the death of her wife, Mary, three years before. Kathryn, whose husband recently divorced her to take up with a younger woman, is straight, but that proves no obstacle to their bonding over tea and dirty chai latte—so simpatico are their personalities and outlooks. Their relationship builds very slowly over lunch dates, shopping excursions—in which Kathryn gives the couture-allergic Ellie a style makeover, although both abjure makeup as being unhealthy and unnecessary—and deep, heart-to-heart talks. Along the way, Ellie introduces Kathryn to her circle of gal pals, and Kathryn feels a growing appreciation for Ellie’s “finely sculpted lips” and “long black lashes.” The narrative kicks up a gear when Kathryn tags along on Ellie’s road trip to her niece’s marijuana farm in California to score some illegal cannabis oil for a friend with Lyme disease, with a stop in Yosemite National Park for sightseeing and snowshoeing; in a hotel room, their brewing attraction finally explodes into rapturous passion. They also pay a visit to Kathryn’s daughter, Jenn, a prickly, insecure woman who’s affronted by the fact that her mother is now dating a woman. A more pressing crisis erupts when Ellie and Kathryn are caught in a multicar highway accident.
Despite this, there’s not much overt drama in most of Bohan’s story of second chances and newfound intimacy, which mainly plays out in long conversations that tend toward serious and even grave matters. There’s much talk of coping with caretaking duties, end-of-life arrangements—“Cremation appeals to me more, even though it consumes fossil fuel”—and assisted living options for seniors; on a spiritual note, Ellie recalls Mary’s numinous presence in the house for a few hours after her passing while Kathryn tells of a dream visitation from a departed friend who told her that death is simply a transition to another plane. Ellie introduces Kathryn to lesbian culture, music, and politics, and they discuss gender roles—including Ellie’s resentful opinions regarding “young butch lesbians…becoming transmen” and trans women identifying as lesbians, which Kathryn challenges. Bohan’s prose is refined and psychologically nuanced, but it sometimes feels bloodless, and the couple’s interactions often lack a spark. However, as their relationship deepens and grows more carnal, so does the author’s writing as she explores the wounds and wisdom that accrue to women of a certain age: “She contemplated the sag in her abdomen that all the crunches in the world would not reduce. The creped neck, the fine hatch work around her eyes and mouth. This is what she had to give to Kathryn, bless her….But one day it would all be empty, just as Mary’s clothes had been, and all this all this wonder would be gone.” When Bohan puts her characters’ love to a harder test, it achieves more resonance.
A sometimes sedate and other times luminous story of rejuvenating love.Pub Date: Jan. 11, 2020
ISBN: 978-1-65411-087-1
Page Count: 292
Publisher: Self
Review Posted Online: April 1, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
