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THE LADY, THE THIEF AND THE WARRIOR

Although it lacks some finesse, this orphans’ tale offers plenty of fun adventures.

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In this debut YA fantasy, two young orphans and an aristocrat navigate a war-torn world while at cross purposes.

In the year 111, the kingdom of Laitmea demands money from its neighbors, but tiny Haputa refuses, retaliating with raids; meanwhile, a deadly plague rages. In a Quirton, Haputa, orphanage, 14-year-olds Trilliapa and Quipeneay have become fast friends. They share a taste for weaponry and rebellion; Quip thirsts to join the raiders, while Trill has become a skilled pickpocket. They also both dislike Redgenold Peterson, who bullies younger children. (Little do they know that Redge actually has a sensitive soul.) In Firdell, Laitmea, 14-year-old Lady Ettalara “Lara” Annalee is on the run after her parents’ deaths. She has a strategically important book to give her king but is caught in a Haputian raid and finds shelter in the Quirton orphanage. When the city is overrun, the three orphans are enslaved by Laitmea soldiers. Though the two Haputians despise Lara as a Laitmean, the three sometimes unite while engaging in escapes, adventures, battles, intrigue, and journeys, plus encounters with pirates and dragons—and romance. Meanwhile, Redge has his own role to play in the political turmoil. In her novel, Crilly writes a meandering narrative that sometimes loses focus or becomes overly improbable; why, for example, wouldn’t the orphanage confiscate Trill’s and Quip’s dangerous weapons? That said, the young, female heroes are appealingly spirited: full of gusto and ready for anything. They can also be very funny, as when the educated Lara channels her boredom into sentence diagramming (“ ‘The horrid dragon’ is an appositive phrase with ‘dragon’ as a noun”). The author’s pencil illustrations ineptly depict people, but her scenery is more skillful.

Although it lacks some finesse, this orphans’ tale offers plenty of fun adventures.

Pub Date: May 29, 2021

ISBN: 978-0-57-890273-9

Page Count: 350

Publisher: Self

Review Posted Online: July 13, 2021

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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