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THE KID

THE IMMORTAL LIFE OF TED WILLIAMS

An outstanding addition to the literature of baseball.

Sprawling, entertaining life of the baseball great, renowned as a sports hero while leading a life as checkered as Babe Ruth’s or Ty Cobb’s.

“My name is Ted Fuckin’ Williams and I’m the greatest hitter in baseball.” So recited Williams, by Boston Globe editor Bradlee’s account, as a mantra before each game, “interrupting it only occasionally to offer a lecture on the finer points of hitting to anyone who cared to listen.” He had the credentials to deliver such lectures, of course; Bradlee does indeed acknowledge him as “the greatest hitter who ever lived,” and few in baseball have bettered Williams’ numbers. Like Ruth, Williams was a bruiser with a chip on his shoulder; like Cobb, race was his bête noire, for, as Bradlee reveals, Williams had a Mexican mother and took great pains to conceal that ancestry, both fearful of discrimination and perhaps with an element of self-loathing. Williams had a reputation as a military hero as well, which he did nothing to gainsay, even if he did his best to stay out of the draft in World War II and resisted his reactivation during the Korean War. Williams ended life with a bit of sideways fame as well, having been decapitated and frozen after death in a cryonics venture that did not end well; Bradlee’s description of the macabre proceedings is not for the faint of heart. The author dishes plenty—one of the kindest things he says about Williams as a human being was that he was “self-absorbed”—but the repeated demonstrations of flawed character do nothing to diminish Williams’ outsized stature as a player. Bradlee is as enthusiastic as Vin Scully or Harry Caray when it comes to describing Williams on the field: “He allowed three hits, one run, walked none, and struck out Rudy York on three pitches. The move seemed an attempt…to placate angry fans with some pure entertainment in one of the worst losses of the year.”

An outstanding addition to the literature of baseball.

Pub Date: Dec. 3, 2013

ISBN: 978-0-316-61435-1

Page Count: 864

Publisher: Little, Brown

Review Posted Online: Nov. 25, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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