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PAPILIO

Move aside, Very Hungry Caterpillar. Meet the new queen of metamorphosis storytime splendor.

Artistic collaboration yields one-of-a-kind storytelling with this deft look at the transformation from caterpillar to butterfly.

A talented trio of author/illustrator creators and friends explore the three phases of a black swallowtail’s life. Clanton takes on the first stage, introducing us to Papilio polyxenes, a caterpillar full of wide-eyed wonder and boundless hunger. Tabor tackles the challenging chrysalis stage, showing an oblivious Papilio’s adventures as she goes from caterpillar to goo to butterfly. Finally, Musser’s butterfly emerges to find that things aren’t always easy when you’re new, so a little persistence goes a long way. While the art styles shift a bit, generally the illustrations are soft and cartoonish, and the tone of the book is remarkably consistent and chock-full of small delights (such as the caterpillar-stage Papilio merrily singing, “Got a full belly, time to turn to jelly”). Papilio’s mouse friend appears throughout all three stories, providing a consistent throughline as the two creatures help one another. For all its simplicity, the book keeps on the scientifically accurate side of the equation, even including backmatter with fascinating facts (for instance, black swallowtails create their own antifreeze in the winter). The result is charming, informative, and absolutely ideal for preschool read-alouds.

Move aside, Very Hungry Caterpillar. Meet the new queen of metamorphosis storytime splendor. (Picture book. 3-7)

Pub Date: March 4, 2025

ISBN: 9780593693254

Page Count: 48

Publisher: Viking

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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