Move aside, Very Hungry Caterpillar. Meet the new queen of metamorphosis storytime splendor.
Artistic collaboration yields one-of-a-kind storytelling with this deft look at the transformation from caterpillar to butterfly.
A talented trio of author/illustrator creators and friends explore the three phases of a black swallowtail’s life. Clanton takes on the first stage, introducing us to Papilio polyxenes, a caterpillar full of wide-eyed wonder and boundless hunger. Tabor tackles the challenging chrysalis stage, showing an oblivious Papilio’s adventures as she goes from caterpillar to goo to butterfly. Finally, Musser’s butterfly emerges to find that things aren’t always easy when you’re new, so a little persistence goes a long way. While the art styles shift a bit, generally the illustrations are soft and cartoonish, and the tone of the book is remarkably consistent and chock-full of small delights (such as the caterpillar-stage Papilio merrily singing, “Got a full belly, time to turn to jelly”). Papilio’s mouse friend appears throughout all three stories, providing a consistent throughline as the two creatures help one another. For all its simplicity, the book keeps on the scientifically accurate side of the equation, even including backmatter with fascinating facts (for instance, black swallowtails create their own antifreeze in the winter). The result is charming, informative, and absolutely ideal for preschool read-alouds.
Move aside, Very Hungry Caterpillar. Meet the new queen of metamorphosis storytime splendor. (Picture book. 3-7)Pub Date: March 4, 2025
ISBN: 9780593693254
Page Count: 48
Publisher: Viking
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
PERSPECTIVES
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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