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THE HATRED OF POETRY

A learned but knotty defense on poetry's behalf, persuasive to no one but those who need no convincing.

Poetry doesn't want to be your friend. Get over it.

For poet (Mean Free Path, 2012, etc.), novelist (10:04, 2014, etc.), and MacArthur Fellow Lerner (English/Brooklyn Coll.), the only kind of love poetry permits is tough love. It's an art with a mean streak, or at least a highly forbidding, unlikable temper. It may be a lot of things—melodic, perceptive, brilliant, awful—but it also carries a threat that warns you to either tread slowly or stay away altogether. "I, too, dislike it," Marianne Moore famously wrote; Lerner adds that dislike is part of the bargain: “What kind of art has as a condition of its possibility a perfect contempt?” The problem seems to be that poetry aims higher than other arts and runs the risk of greater failure. "Poetry arises from the desire to get beyond the finite and the historical," writes the author, "the human world of violence and difference—and to reach the transcendent or divine." The payoff, if there is one, is in the effort. "The hatred of poetry is internal to the art,” writes Lerner, because it is the task of the poet and poetry reader to use the heat of that hatred to burn the actual off the virtual like fog." The author pays homage to the individual, solitary nature of poetry and its refusal to be tamed or coddled, but he does the act of reading no favors. He makes writing poetry seem like a zero-sum game and reading it like torture. The closer he gets to some usable approach, the more it eludes him. His struggle to give concrete form to an increasingly abstract concept of art is just "form gulping after formlessness," as Wallace Stevens put it.

A learned but knotty defense on poetry's behalf, persuasive to no one but those who need no convincing.

Pub Date: June 7, 2016

ISBN: 978-0-86547-820-6

Page Count: 96

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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