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THE PIPSQUEAK

Name: THE PIPSQUEAK
Author: Ben Manley
ISBN: 978-1-72849-211-7

by Ben Manley ; illustrated by Andrew Gardner ‧ RELEASE DATE: April 4, 2023

A fun underdog story for readers intrepid enough to join this merry band of kids.

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The seemingly weakest member of a group of friends solves a bullying problem.

The opening double-page spread shows a racially diverse array of cartoonish characters with large, round heads; round, opaque, black eyes; and frowning eyebrows. Each character’s name is listed. Narrator Hero, who presents as Black, states, “This is our gang. This is our spot. And we like it a lot. So hands off!” As Hero introduces each gang member and their particular skills—other than light-skinned Pip, who has no discernible talent—gentle humor comes through. For example, tan-skinned Thunderbolt—dressed appropriately in cheetah-print clothing—is so quick that “even her watch is fast.” The only person faster than Thunderbolt—and, indeed, superior to everyone else—is nonmember Solo. The light-skinned, freckled girl, who, we learn from Hero, once “squished” Pip and took his yo-yo, overpowers each club member until Pip not only speaks truth to power, but eventually leads the others to accept lonely Solo’s membership. The humor is enjoyable, and Pip’s cleverness will inspire little ones, though the story seems to have a bit of dissonance; while it encourages children to be bold, caring, and inclusive, the beginning and ending show the club members looking a bit menacing, as though discouraging outsiders from joining. (This book was reviewed digitally.)

A fun underdog story for readers intrepid enough to join this merry band of kids. (Picture book. 4-8)

Pub Date: April 4, 2023

ISBN: 978-1-72849-211-7

Page Count: 32

Publisher: Andersen Press USA

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

Categories:

CHILDREN'S SOCIAL THEMES

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READ ALL ABOUT IT!

by Benjamin Hall ; illustrated by Martina Motzo ‧ RELEASE DATE: March 3, 2026

Visually sweet, though hampered by disjointed storytelling.

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In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.

Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.

Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9780063357549

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

by Meena Harris ; illustrated by Marissa Valdez ‧ RELEASE DATE: Feb. 3, 2026

Another empowering outing led by a dynamic young role model.

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The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)