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THE MIDNIGHT RIDE

A conspiracy-driven thriller stalls out on too little action and a dissertation’s worth of research.

Mezrich, best known as a true-crime author, turns to fiction with this history-based thriller.

The novel begins with a prologue that recounts the notorious (and still unsolved) real-life theft of 13 artworks from the Isabella Stewart Gardner Museum in Boston in 1990, then jumps to the present. Math genius Hailey Gordon is paying her way through graduate school at MIT by gambling at the casinos, and she’s just been spotted counting cards. Fleeing casino security, she dodges through an open hotel room door—and finds a dead man. Right behind her is Nick Patterson, an ex-convict who’s there to meet the now-deceased Jimmy the Lip, who was supposed to be his connection to the deal of a lifetime—one connected to the Gardner heist. Hailey’s and Nick’s mutual desire to elude the cops quickly turns into a partnership to find the real object of the Gardner theft—which wasn’t any of the priceless paintings but an object, as the title suggests, connected to Paul Revere. They’re joined (grudgingly) in the hunt by Adrian Jensen, an enormously snobby history professor who’s been propelled into a related quest by the murder of a despised colleague. In the mode of the history-based, conspiracy-fed thriller à la Dan Brown, their race around Boston’s historic landmarks takes place in just a day. But it feels like much longer. Thrillers like this one are grounded in research, but in this book the research is dropped in giant blocks that leave the action in park for pages at a time. At one critical point, when a character is about to fire a gun, the action is interrupted by almost 300 words on how to load a flintlock pistol—a disquisition that does nothing for the plot but bring it to a screeching halt. When the action does struggle to the surface, it’s increasingly confusing and often improbable.

A conspiracy-driven thriller stalls out on too little action and a dissertation’s worth of research.

Pub Date: Feb. 22, 2022

ISBN: 978-1-5387-5463-4

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE CRASH

Soapy, suspenseful fun.

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A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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