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THE MIDNIGHT RIDE

A conspiracy-driven thriller stalls out on too little action and a dissertation’s worth of research.

Mezrich, best known as a true-crime author, turns to fiction with this history-based thriller.

The novel begins with a prologue that recounts the notorious (and still unsolved) real-life theft of 13 artworks from the Isabella Stewart Gardner Museum in Boston in 1990, then jumps to the present. Math genius Hailey Gordon is paying her way through graduate school at MIT by gambling at the casinos, and she’s just been spotted counting cards. Fleeing casino security, she dodges through an open hotel room door—and finds a dead man. Right behind her is Nick Patterson, an ex-convict who’s there to meet the now-deceased Jimmy the Lip, who was supposed to be his connection to the deal of a lifetime—one connected to the Gardner heist. Hailey’s and Nick’s mutual desire to elude the cops quickly turns into a partnership to find the real object of the Gardner theft—which wasn’t any of the priceless paintings but an object, as the title suggests, connected to Paul Revere. They’re joined (grudgingly) in the hunt by Adrian Jensen, an enormously snobby history professor who’s been propelled into a related quest by the murder of a despised colleague. In the mode of the history-based, conspiracy-fed thriller à la Dan Brown, their race around Boston’s historic landmarks takes place in just a day. But it feels like much longer. Thrillers like this one are grounded in research, but in this book the research is dropped in giant blocks that leave the action in park for pages at a time. At one critical point, when a character is about to fire a gun, the action is interrupted by almost 300 words on how to load a flintlock pistol—a disquisition that does nothing for the plot but bring it to a screeching halt. When the action does struggle to the surface, it’s increasingly confusing and often improbable.

A conspiracy-driven thriller stalls out on too little action and a dissertation’s worth of research.

Pub Date: Feb. 22, 2022

ISBN: 978-1-5387-5463-4

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WE ARE ALL GUILTY HERE

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

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More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.

In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

Pub Date: Aug. 12, 2025

ISBN: 9780063336773

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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