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TOUCHING SPIRIT BEAR

Troubled teen meets totemic catalyst in Mikaelsen’s (Petey, 1998, etc.) earnest tribute to Native American spirituality. Fifteen-year-old Cole is cocky, embittered, and eaten up by anger at his abusive parents. After repeated skirmishes with the law, he finally faces jail time when he viciously beats a classmate. Cole’s parole officer offers him an alternative—Circle Justice, an innovative justice program based on Native traditions. Sentenced to a year on an uninhabited Arctic island under the supervision of Edwin, a Tlingit elder, Cole provokes an attack from a titanic white “Spirit Bear” while attempting escape. Although permanently crippled by the near-death experience, he is somehow allowed yet another stint on the island. Through Edwin’s patient tutoring, Cole gradually masters his rage, but realizes that he needs to help his former victims to complete his own healing. Mikaelsen paints a realistic portrait of an unlikable young punk, and if Cole’s turnaround is dramatic, it is also convincingly painful and slow. Alas, the rest of the characters are cardboard caricatures: the brutal, drunk father, the compassionate, perceptive parole officer, and the stoic and cryptic Native mentor. Much of the plot stretches credulity, from Cole’s survival to his repeated chances at rehabilitation to his victim being permitted to share his exile. Nonetheless, teens drawn by the brutality of Cole’s adventures, and piqued by Mikaelsen’s rather muscular mysticism, might absorb valuable lessons on anger management and personal responsibility. As melodramatic and well-meaning as the teens it targets. (Fiction. YA)

Pub Date: Feb. 28, 2001

ISBN: 0-380-97744-3

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2001

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I LOVE MY MOMMY BECAUSE...

The theme of these titles is engagingly combined with a classic animal-book for the very young. In the first book, a toddler gives the first reason for loving her bearded white dad: "he plays with me." Other reasons are demonstrated by animals and their young: "He brings me dinner" is illustrated with a horned puffin and its chick; a giraffe helps its calf "reach things," etc., until the conclusion, when "I love my daddy and my daddy loves me" is illustrated with a different child and her dad. Beginning with a black mommy reading to her son, and depicting different animals, the second book follows the same pattern. Wolff's beautifully designed paintings are precisely rendered and memorably affectionate (especially a kangaroo tucking her joey into her pouch and a sea otter rocking her pup to sleep on a wave). Fortunately, these sturdy pages will survive the many readings they're sure to receive. The animals are unobtrusively captioned.

Pub Date: Feb. 1, 1990

ISBN: 0-525-44625-7

Page Count: 24

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DUCK IS DIRTY

Duck Is Dirty ($4.95; August 26, 1996; 16 pp.; 0-374-31885-9): This book recounts the modest tribulations of Duck during a potentially pleasant stroll. It starts raining, he gets his feet muddy, is buffeted by winds, papered by leaves, and takes a header into the muck. A dip in the pond and Duck is good as new. Kitamura coaxes an appealing story from this 19-word trifle; one, moreover, that will ring familiar with the intended audience. The misleadingly simple artwork is graphically sophisticated, with Duck coming across as a winsome geek. Companion volumes are Squirrel Is Hungry (0-374-37171-7), Cat Is Sleepy (31223-0), and Dog Is Thirsty (31806-9). (Board book. 1-3)

Pub Date: Aug. 26, 1996

ISBN: 0-374-31885-9

Page Count: 16

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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