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TOUCHING SPIRIT BEAR

Troubled teen meets totemic catalyst in Mikaelsen’s (Petey, 1998, etc.) earnest tribute to Native American spirituality. Fifteen-year-old Cole is cocky, embittered, and eaten up by anger at his abusive parents. After repeated skirmishes with the law, he finally faces jail time when he viciously beats a classmate. Cole’s parole officer offers him an alternative—Circle Justice, an innovative justice program based on Native traditions. Sentenced to a year on an uninhabited Arctic island under the supervision of Edwin, a Tlingit elder, Cole provokes an attack from a titanic white “Spirit Bear” while attempting escape. Although permanently crippled by the near-death experience, he is somehow allowed yet another stint on the island. Through Edwin’s patient tutoring, Cole gradually masters his rage, but realizes that he needs to help his former victims to complete his own healing. Mikaelsen paints a realistic portrait of an unlikable young punk, and if Cole’s turnaround is dramatic, it is also convincingly painful and slow. Alas, the rest of the characters are cardboard caricatures: the brutal, drunk father, the compassionate, perceptive parole officer, and the stoic and cryptic Native mentor. Much of the plot stretches credulity, from Cole’s survival to his repeated chances at rehabilitation to his victim being permitted to share his exile. Nonetheless, teens drawn by the brutality of Cole’s adventures, and piqued by Mikaelsen’s rather muscular mysticism, might absorb valuable lessons on anger management and personal responsibility. As melodramatic and well-meaning as the teens it targets. (Fiction. YA)

Pub Date: Feb. 28, 2001

ISBN: 0-380-97744-3

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2001

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MOONDOGS

A deliberate sense of the absurd infuses Kirk’s story of a boy and his dog with great humor and appeal. Young Willy Joe Jehosephat loves gazing at the moon through his telescope, but his parents want him to have a real playmate, a dog. Willy readily agrees—to a moondog, “the perfect pet for me./I watch them through my telescope./They’re real, I guarantee!” After Willy builds a spaceship and is on his way to the Moon, he discovers a stowaway on board, a scrappy Earth mutt that Willy intends to leave in the care of the moondogs after he has made his selection. Once on the moon, Willy establishes contact with an enormous pack of moondogs, but also with a hideous moon man, who threatens to eat Willy. While the moondogs quake and quiver, the Earth mutt gives the moon man a good nip and sends him running. That’s the dog for Willy. Questions of loyalty are obviously raised here, but Kirk’s story allows for the pleasures of the here-and-now as well as acknowledging the dreams attached to distant stars. As always, the palette is robust and retro, with images that are invitingly participatory. (Picture book. 5-7)

Pub Date: March 1, 1999

ISBN: 0-399-23128-5

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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THE PIG WHO RAN A RED LIGHT

Poor Miss Rosemary. Inspired by the example of Gertrude, The Cow Who Wouldn’t Come Down (1993), George the pig is trying to fly, play music, and drive. The results are uniformly disastrous: “It’s a known fact pigs don’t drive,” scolds Miss Rosemary after the inevitable crash. The animals are as expressive as the people in Johnson’s tidy, clean-lined country scenes; George’s cheery confidence comes through as clearly as the local sheriff’s irritation does. At last Miss Rosemary and Gertrude put their heads together, drawing up a successful scheme to get George to behave like a perfect pig—just as Magnolia the goose decides to burst into oinks. (Picture book. 4-7)

Pub Date: March 1, 1999

ISBN: 0-531-30136-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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