A mesmerizing, nightmarish story that has, for once, a happy ending.
This memoir recounts a Jewish family’s surviving by being hidden away for two years in occupied Paris.
The Parkiets—mother Rikla, father Joseph, and two sons, Sevek and Henek—emigrated from Warsaw to Paris in 1931. Binem, aka Bernard, the narrator, was born in 1933 after the move. They’re poor but hardworking and close-knit. Joseph was a furnisher finisher by trade. They found a place in an ancient apartment building that surrounded a large courtyard. Life was good, and most of their French neighbors got along fine with Jews. Then came the Germans and 24/7 terror. Joseph was taken to a detention center outside the city. Miraculously, because he became really sick, humane doctors saw to his release. Soon after, a neighbor offered a warehouse space adjoining his furniture shop as a hiding spot, putting himself in considerable danger; that one room was the Parkiets’ refuge (and their prison) for the next two years. Clandestinely, the neighbors saw to their needs, and Binem was their link to the outside, running necessary errands. There were some terrifying close calls, but the Parkiets were never betrayed—this was a whole community’s effort, and they could have been killed if found out. The memoir, co-authored by Ben Parket, formerly Binem Parkiet (during immigration, family members changed their names), and his daughter-in-law, Alexa Morris, also follows the fortunes of the family after the war. They moved to Israel in 1949 and grew up with the new nation. Binem went to America, met his future wife, Orah, and found success as an architect, so it’s also an upward mobility story, and it couldn’t have happened to a more deserving clan. Sadly, for contrast, we learn that all the family left in Poland died in the concentration camps. The writing is clever and impressive: “[Henri] was drawn toward the provocative in the way a car in need of alignment pulls toward one side of the road,” and at a pro forma conference, there is cigarette “smoke swirling, scribbling nonsense” in the air. The book includes illustrations and family photos.
A mesmerizing, nightmarish story that has, for once, a happy ending.Pub Date: yesterday
ISBN: 9789493418011
Page Count: 214
Publisher: Amsterdam Publishers
Review Posted Online: Nov. 26, 2024
Kirkus Reviews Issue: Jan. 15, 2025
Review Program: Kirkus Indie
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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