by Benedict Wells ; translated by Charlotte Collins ‧ RELEASE DATE: Jan. 29, 2019
The book's earnestness weighs it down from time to time, but overall Wells has written a tender, affecting novel, one that...
German-Swiss novelist Wells' fourth book—his first to be translated into English—is a bittersweet, intricately plotted family saga that centers on Jules Moreau and his elder siblings.
After their parents die in an accident when Jules is 10, he, his sister, Liz, and his brother, Marty, are sent to a boarding school, and gradually they recede from each other, drift away from the (now haunted) intimacy they shared before. Liz becomes a beautiful, enigmatic butterfly, ever elusive; the driven Marty hurls himself into his studies, seizes on a new big idea, and becomes an early internet entrepreneur. Meanwhile, the awkward, dreamy Jules wants to become a photographer (his father's thwarted passion) or a writer. Fifteen years or so later, he reconnects with his friend and chief solace from those lonely schooldays, Alva, for whom he nursed a love that wasn't so much unrequited as tantalizingly out-of-phase. She's married now, it turns out, to a much older Russian-born writer who was one of their adolescent literary idols, and Jules leaves his job as a record-company executive to live with them in a remote chalet. He and Alva resume their old chaste companionship, and her husband, whose memory has begun to fail in ways at first scarcely visible but ever more conspicuous, encourages Jules to rededicate himself to his old ambition of writing fiction. What emerges from his stay in Switzerland is a dense network of connections and collaborations, not only with Alva and her husband, but also with Liz and Marty. Some of these links are wished for, some half-accidental, some ardently chased after, some resisted or delayed or lamented or clear only after years of being obscured, but all of them are inescapable—which turns out to be a pretty fair definition of family. Wells' style is less antic than that of his admired elder John Irving, but in setting, tone, density of plot, and a streak of (occasionally heavy-handed) didacticism, the resemblances are strong.
The book's earnestness weighs it down from time to time, but overall Wells has written a tender, affecting novel, one that packs a lot into a slender frame.Pub Date: Jan. 29, 2019
ISBN: 978-0-14-313400-8
Page Count: 272
Publisher: Penguin
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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