A strong entry for a college course on feminism and literature, this is too contrived and didactic to do well outside the...
This love triangle presents a distinctive heroine but more archaic melodrama than those outside academia are likely to enjoy.
A major 19th-century (1843-1920) Spanish writer, Galdós (Misericordia, 2014, etc.) is often ranked second only to Cervantes. This 1892 novel may be familiar from the 1970 Luis Buñuel film of the same name. Set in Madrid, the story begins shortly after the title character is taken in as a teen orphan by an aging Don Lope as he is winding down from years of heedless seduction. She succumbs to his practiced charms and becomes his last great conquest but by age 21 recognizes the limitations of life as a mistress. A chance encounter leads her into a passionate and rather gawky affair with a young painter named Horacio. She refuses, though, to accept another set of fetters. She casts about for a way to keep her lover while becoming independent and productive, mulling at different times painting, music and acting. Galdós’ liberal leanings shape a female iconoclast in the land of machismo. He lays it on thick by making Don Lope an unlikely Lothario of taste, intelligence and Old World gallantry, if not chivalry—there is much of Don Quixote in him without the delusions and innocence. Horacio plays the perfect shallow romantic hero: a handsome artist with money, a house on the coast, a great tan and a bottomless patience for Tristana’s restless ambition. When the young lovers must endure a period of separation, the reader must endure many pages of letters filled with pet names, cute puns and painless torments. Galdós is most interesting and least predictable in the psychological shifts and byplay between Don Lope and Tristana, but the book would need a lot more of that to mute the emotional megaphone of the rest.
A strong entry for a college course on feminism and literature, this is too contrived and didactic to do well outside the world of required reading.Pub Date: Oct. 14, 2014
ISBN: 978-1-59017-765-5
Page Count: 288
Publisher: New York Review Books
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
None of the characters shine enough to inspire or enlighten readers.
A tale of several generations of women cursed to love men who love other women.
As the book opens, Gabriela Siton relates the story of her mother Luna’s death, and in describing her final year, Yishai-Levi, a journalist and nonfiction author, captures the family dynamic and lays out the drama—Luna doesn’t get along with Gabriela; she’s unhappy with her husband, David; she didn’t get along with her mother, Rosa; and all this has left Gabriela at loose ends. Gabriela seeks answers from her Aunt Allegra in Tel Aviv, trying to understand the family “curse,” and then the book shifts mostly to Rosa’s and Luna’s viewpoints. It abruptly shifts back in the end to Gabriela’s, skipping over years, when earlier, the narrative plodded slowly through days. There are so many characters that we only get a brief look at some of them, and so many disappointments and heartbreaks that they begin to lose their impact. Ordinary lives can be made beautiful, but when they belong to characters who are either unsympathetic or rudimentary, they are rendered ineffective. The characters’ faith, which influences so many of the important decisions in their lives, mostly comes across as routine, habit, or even superstition. Some of the characters become involved in the struggle for modern Israel, and their political fervor is similarly underdeveloped.
None of the characters shine enough to inspire or enlighten readers.Pub Date: April 5, 2016
ISBN: 978-1-250-07816-2
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
Detectives, doctors, and dastardly scoundrels abound in this fascinating historical novel.
Luring women with the false promise of a safe, albeit illegal, abortion, a serial killer is on the loose in 1880s New York City.
In this sequel to The Gilded Hour (2015), Donati returns to a time when female doctors were viewed with surprise if not outright hostility. Cousins Anna and Sophie Savard have earned their professional medical training, both turning to practice primarily on women. Grieving the recent death of her attorney husband, Cap, from tuberculosis, Sophie plans to use her inheritance to establish scholarships and a welcoming home for women pursuing medical studies. Happily married to Jack Mezzanotte, a detective investigating the killings with his partner, Oscar Maroney, Anna is a highly accomplished surgeon, but they have just lost custody of the children they were fostering, children the church wants raised by Catholics. The sprawling Savard family blends multiple ethnicities, including Italian, Mohawk, and African American, and Donati crafts strong female characters who draw upon the wisdom of their ancestors to transcend the slings and arrows of petty racism and sexism. She juxtaposes these women, thriving on the energies of the zeitgeist advancing women’s rights, with the villains, who sink into the muck of dubious morality crusades, such as the anti-contraception and anti-abortion campaigns of Anthony Comstock and the xenophobic orphanage system run by the Roman Catholic Church. Through Sophie’s and Anna’s work, Donati sketches in the historical backdrop of reproductive challenges in late-19th-century America: Women dying in childbirth, women dying to avoid childbirth, women and babies mangled by medical quacks, and children drugged to the point of death just to keep peace in the nursery. The wounds inflicted by the serial killer caused prolonged, severely painful deaths, suggesting not inept but malicious intent. And as the Drs. Savard assist Jack and Oscar in their investigation, another woman goes missing.
Detectives, doctors, and dastardly scoundrels abound in this fascinating historical novel.Pub Date: Sept. 10, 2019
ISBN: 978-0-425-27182-7
Page Count: 672
Publisher: Berkley
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
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