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THE BELLWETHER REVIVALS

Wood moves the reader deftly through pastoral Cambridge, into the British upper crust, and ultimately into the mad mind of...

Eden Bellwether, an organ scholar at King’s College, Cambridge, has the idea he can heal through the power of music, but Wood raises the possibility that Eden has a Narcissistic Personality Disorder and is thus suffering from delusions about his powers.

The Bellwether family is characterized by both brilliance and eccentricity—and perhaps the two inevitably go together. Eden’s sister Iris is a medical student at Cambridge and a fine musician in her own right, a cellist rather than an organist, and she bounces between unflappable adoration of her brother and suspicion that he might be a pathological case study. One autumn evening, Oscar Lowe, a nurse’s assistant at a local nursing home, cuts across the King’s College grounds and is attracted by the sonorous sound of an organ. On this fateful evening he meets Eden and Iris. Despite their differences Oscar and Iris feel an immediate, quirky attraction for one another, and they quickly become lovers. Oscar, though highly intelligent and well read, has found for himself a path other than academia, but he feels himself drawn in by the undeniable charisma of the Bellwethers. His favorite patient at the nursing home is Abraham “Bram” Paulsen, a former distinguished professor of English, whose friendship with Herbert Crest, a brilliant psychologist, leads to a complicated and volatile mixture of personalities and motives. When Iris breaks her leg, Eden seems to heal her through a bizarre regimen of physical and musical therapy. Crest becomes intrigued with Eden’s putative powers, at least in part because the psychologist is dying of a malignant brain tumor, so his professional—and skeptical—motives become entangled with his personal ones, the latter characterized by Delusions of Hope, the book he’s desperately trying to finish writing before his death.

Wood moves the reader deftly through pastoral Cambridge, into the British upper crust, and ultimately into the mad mind of Eden himself.

Pub Date: July 2, 2012

ISBN: 978-0-670-02359-2

Page Count: 432

Publisher: Viking

Review Posted Online: May 15, 2012

Kirkus Reviews Issue: June 1, 2012

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SO FAR FROM GOD

Chicana writer Castillo (whose reputation until now has been mostly regional) brings a warm, sometimes biting but not bitter feminist consciousness to the wondrous, tragic, and engaging lives of a New Mexico mother and her four fated daughters. Poor Sofi! Abandoned by her gambler husband to raise four unusual girls who tend to rise from adversity only to find disaster. ``La Loca,'' dead at age three, comes back to life—but is unable to bear the smell of human beings; Esperanza succeeds as a TV anchorwoman—but is less successful with her exploitative lover and disappears during the Gulf War; promiscuous, barhopping Caridad—mutilated and left for dead—makes a miraculous recovery, but her life on earth will still be cut short by passion; and the seemingly self-controlled Fe is so efficient that ``even when she lost her mind [upon being jilted]...she did it without a second's hesitation.'' Sofi's life-solution is to found an organization M.O.M.A.S. (Mothers of Martyrs and Saints), while Castillo tries to solve the question of minority-writer aesthetics: Should a work of literature provide a mirror for marginalized identity? Should it celebrate and preserve threatened culture? Should it be politically progressive? Should the writer aim for art, social improvement, or simple entertainment? Castillo tries to do it all—and for the most part succeeds. Storytelling skills and humor allow Castillo to integrate essaylike folklore sections (herbal curing, saint carving, cooking)—while political material (community organizing, toxic chemicals, feminism, the Gulf War) is delivered with unabashed directness and usually disarming charm.

Pub Date: April 17, 1993

ISBN: 0-393-03490-9

Page Count: 256

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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VANISHING ACTS

An experienced novelist takes her sweet time to rich rewards: overall, an affecting saga, nicely handled.

Well-oiled Picoult sets her latest expertly devised search-and-rescue tale in rural New Hampshire, where a kidnapping case is uncovered 28 years too late.

As usual, Picoult (My Sister’s Keeper, 2004, etc.) spins a terrifically suspenseful tale by developing just the right human-interest elements to make a workable story. Single mom Delia Hopkins works with the local Wexton police and a bloodhound named Greta to find lost children. Delia’s close relationship with her divorced, 60-ish father, Andrew, who runs a senior-citizens’ home, grows strained when he’s suddenly arrested on kidnapping charges. The victim is Delia herself, named Bethany Matthews before her father fled with her from a drunken Mexican mother in Arizona. For 28 of her 32 years, Delia has believed her mother was dead. With Andrew extradited to Phoenix, the strange history of the case unravels, complicated by the choice of Delia’s fiancé, Eric (father of daughter Sophie), as Andrew’s lawyer and the assignment of her childhood buddy Fitz to cover the case for his newspaper. Picoult is a thorough, perceptive writer who deliberately presents alternating viewpoints, so that the truth seems constantly to be shifting. When Delia finally meets the attractive, remarried Elise Vasquez, she can’t quite vilify a woman who has been sober for many years and works as a curandera (healer). Her father’s story is both suspect and understandable, especially in light of his horrific treatment in prison, caught up in the violence of rival gangs. The magnetic Eric is a recovering alcoholic who falls off the wagon when stressed, while dependable, silent lover Fitz waits in the wings for his chance. Meanwhile, Delia and Sophie make a fascinating digression into the mythical world of the local Hopi tribe. At times, Picoult goes over the top, allowing Sophie to get lost so that Greta can find her and, at the eleventh hour, inserting into the trial the possibility of Delia’s sexual abuse .

An experienced novelist takes her sweet time to rich rewards: overall, an affecting saga, nicely handled.

Pub Date: March 1, 2005

ISBN: 0-7434-5454-5

Page Count: 448

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2005

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