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THEY POURED FIRE ON US FROM THE SKY

THE TRUE STORY OF THREE LOST BOYS FROM SUDAN

Well-meaning, and valuable as a document of the refugee experience. The boys’ narrative, however, would have been better...

Three “lost boys” of Sudan remember lives lived far away from the torrents of history.

The boys, now young men in their mid-20s, were members of the Dinka tribe, pastoralists who live in the south of the Sudan. The Dinka and their Nuer cousins, whom Benson Deng characterizes as “the tallest and blackest people in Africa,” excited much jealousy among the Arab rulers of the Sudan—rulers who, by Deng’s account, wanted the fertile lands between the Blue Nile and White Nile for themselves and, in the bargain, demanded that the Dinka convert to Islam. It was not an attractive offer; “as cattle keepers,” Benson adds, “we didn’t have time to be meditating with the Qu’ran five times a day.” Soon government planes came to bomb Dinka villages whose inhabitants tried to fight back with spears; when better-armed rebel soldiers arrived, they guided the survivors to refugee camps in Ethiopia, where, Benson recounts, food and medicine were in constant shortage and “many of the boys got sick and died from eating grass soups, but it was often all we had.” Over the next decade, the boys moved among refugee and rebel camps in Kenya and along the Sudanese border, a life that, Alephonsion writes, “was like being devoured by wild animals.” That was little better than being one of the rebel soldiers, Benson adds: Once they strapped on AK-47s, they were controlled as tightly as dogs and sent off to die. Finally, their plight to come to the attention of international relief organizations, and thereafter private American efforts, brought the three boys to the U.S., “the land of many gorgeous goods” and of promises that, one hopes, are being kept.

Well-meaning, and valuable as a document of the refugee experience. The boys’ narrative, however, would have been better served by a commentary explaining the ongoing Sudanese crisis and otherwise adding more depth to this child’s-eye view of events.

Pub Date: June 13, 2005

ISBN: 1-58648-269-6

Page Count: 336

Publisher: PublicAffairs

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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