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THE WORLD AT FIRST LIGHT

A NEW HISTORY OF THE RENAISSANCE

Beautifully argued, an essential addition to the history and historiography of the Renaissance.

A sprawling, rich narrative of a climacteric in world history.

Why did the Renaissance take hold in Italy, but not in China? University of Zurich historian Roeck ventures a long—at more than 1,100 pages—response, beginning at the very beginning of what we call the “West.” One necessary condition for the development of a society in the “Latin part of Europe” in which the Renaissance was possible, he holds, was the competition offered by multiple small states, a competition that gave rise to the middle class while “mustering culture and science for the fray and financing scholars and inventors.” Another was proximity to the Arabic world, which preserved so much of the Greek tradition that underlies the Renaissance: “Without Greek thought,” he writes, “the ­Renaissance and European modernity would be unthinkable. For it is, above all, Greek thought that was ‘reborn’ and led to the creation of new ­things.” Although the Renaissance began in Italy when the papacy held great power and heretics were still being burned at the stake, Roeck observes, the fact that religion was “contained” and that the “worldly” was an object of attention, giving rise to modern sciences, is also material. Roeck ranges widely across time and space: He writes here of the early medieval German invasions of Rome (“it has always been more attractive to pillage high cultures than to clear forests”), there of the role of trade routes in cultural exchange, of Jan Van Eyck and other artists outside of Italy proper, and, meaningfully, of Leonardo da Vinci as a true, well, Renaissance man, “a strange mix of nervous tinkerer and genius, perfectionist and experimenter.” And as for China? By Roeck’s lights, “in the long term, it is liberal democracies and not authoritarian states that promote scientific, technological, and economic success.”

Beautifully argued, an essential addition to the history and historiography of the Renaissance.

Pub Date: June 3, 2025

ISBN: 9780691183831

Page Count: 1184

Publisher: Princeton Univ.

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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