In McMullen’s debut, a former spy tries to forget her past and lead a “normal” life as a Bay Area wife and mother—if only her past would forget her.
Right out of college, Lucy Parks was recruited by the USAWMD, a covert agency dedicated to tracking purveyors of Weapons of Mass Destruction. Code-named Sally Sin, she soon found herself dodging death all over the globe, from Afghanistan to Saigon, Budapest to Madrid, Cambodia to Cape Town. Her handler, Simon Still, trusts her to bring down the depraved nuclear-arms smuggler known as the Blind Monk, who wreaks mayhem while swathed in saffron. However, Ian Blackford, a former USAWMD asset who turned traitor and now traffics WMDs himself, has a nasty habit of turning up whereever Sally is and kidnapping her. The narrative ricochets back and forth between Sally’s past adventures and her present life as mother of three-year-old charmer Theo and wife of Will Hamilton, an environmental consultant whose biggest concern for his family is their carbon footprint. Sally has kept her employment history secret from Will, which was not a problem until recently: the fine print in her retirement contract requires Sally to remain on call for espionage. She is tapped by Simon to see what reclusive college professor Albert Malcolm is really up to in his lab, which may entail allowing Blackford, who is also sniffing around Prof. Malcolm, to abduct her again. After gaining entry to the lab, she photographs some documents, but there is no sign of Blackford. However, as much as she fears encountering him again, she has to admit that he does bear a passing resemblance to James Bond, in both the Connery and Brosnan incarnations. And the excuses she’s giving to Will for her increasingly frequent absences (while a rookie USAWMD agent babysits Theo) are wearing thin. Sally’s slapdash, offhand delivery is fun even though the exposition is laborious and the payoff too long delayed—perhaps anticipating the second planned Sally Sin Adventure.
Pub Date: July 1, 2011
ISBN: 978-1-4013-2421-6
Page Count: 304
Publisher: Hyperion
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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