The joys of collecting, artfully conveyed.
A tour of collections great and small.
Readers are instructed to flick a switch on the opening page, literally shedding light on an unseen narrator’s collection of neatly displayed “small things,” including a puzzle piece, a snail, a paper clip, and a button. Woollvin’s fetchingly stencil-like, glowing graphics imbue most objects, even inanimate ones, with lively eyes, as in her Little Red (2016). Next up is a collection of “BIG things”—an elephant, a whale, and a car—spilling off the page. Quick, help the narrator “squash them back in!” Whew! The narrator shows off a collection of “pointy things” and then one of “prickly things” (“Expert collectors know the difference”), followed by a “most exciting” collection of rocks. Every page invites reader participation: Kids are asked to blow away cobwebs, grab an errant spider, sniff the pungent offerings in the “stinky collection,” and sort a variety of especially delicate objects (“Gently does it!”). Uh-oh: You dropped the narrator’s teapot! But don’t worry; it soon finds a new home in the collection of broken things. And hey, there’s that spider! Readers successfully corral it, and the narrator adds it to a “many-legs” collection labeled “DO NOT LET US OUT.” The last page encourages youngsters to become collectors themselves, but they won’t need much convincing; Woollvin’s quirky, conversational text and artwork will have already persuaded them to follow suit.
The joys of collecting, artfully conveyed. (Picture book. 3-7)Pub Date: April 15, 2025
ISBN: 9781836004660
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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BOOK REVIEW
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