Despite Ball’s mordant humor, the pain here feels all too real.
Ball’s mixture of satire and domestic drama turns contemporary suburban life into a frightening dystopia of “material leisure and emotional poverty.”
The satiric element centers around the Petra School, a private “temple of education” in upscale Somerset, Connecticut. Headmistress Agnes seems warm and charismatic if a bit eccentric at first, but her dictatorial creepiness becomes apparent, both in the increasingly strident school bulletins she sends—linking dairy and dyslexia, warning against (pre-Covid era) vaccinations, banning any mention of Jewish holidays—and as she exerts personal control over both students and parents. Starting on New Year’s Eve 2013, Ball follows several of those parents and potential parents as three marriages begin to tailspin into crisis. Current Petra parents Virginia and Tripp are keeping huge secrets from each other: Novelist Virginia has cancer, while financially strapped Tripp has built a survivalist arsenal in the basement. Virginia’s old friend Rachel and her Swedish architect husband, Gunter, have recently arrived from Manhattan and enrolled their kids at Petra. Initially Rachel, though Jewish, is so desperate to fit in that she ignores hints of Agnes’ antisemitism, but Gunter is dismissive of Petra (and suburbia and America in general). Then Agnes begins to woo him. Margo, a compulsive cleaner and stay-at-home mother of three sons, has never recovered emotionally from the death of an infant daughter. Now a fanatic follower of Agnes’ Wednesday evening meditation sessions, Margo wants to switch her boys from public school to Petra despite objections from the kids and her overworked husband, Richard, a devoted father, pothead, and online porn addict. Once readers are drawn into these stories, Ball leaps into a broad rhetorical section, describing from a third-person plural viewpoint all the ways suburban men and women, as well as their children, are miserable. Certainly the kids Ball introduces are unhappy. Virginia and Tripp’s daughter is burdened by her parents’ secrets. Petra turns Rachel’s 6-year-old son into an outcast. Richard and Margo’s three sons stand by helplessly watching their parents’ mental health deteriorate.
Despite Ball’s mordant humor, the pain here feels all too real.Pub Date: Oct. 12, 2021
ISBN: 978-0-8021-5888-8
Page Count: 304
Publisher: Grove
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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