A slow, hazy beginning eventually sharpens before charging into an electric, enchanting end.
Two young women literally and figuratively embody #BlackGirlMagic.
Sixteen and with deep brown skin, Tavia is a siren who uses American Sign Language to push against the mesmerizing call that burns like a fire in her throat and could mean being silenced forever if it is released. Plagued with mysterious body ailments and no knowledge of her biological heritage to inform a diagnosis, light-brown–skinned 16-year-old Effie, Tavia’s sister-by-choice, is haunted by survivor’s guilt after a traumatic childhood incident. Portland, Oregon, provides a memorable setting for Morrow’s solid and intentional unpacking of myths around black people and their aversion to water activities through their stories. Chapters alternating first-person narration between the two protagonists set up Tavia to often be the voice of social justice inquiry, especially regarding prejudice against sirens, who are always black women. Effie’s storyline focuses on a different type of identity exploration as she untangles her complicated family history. Lengthy exposition with confusing plot turns and a reveal of ethnically diverse magical beings and their powers slows the first part of the book. The action picks up toward the middle, rising to create an exciting new contemporary fantasy. In this parallel world, black female empowerment is standing up for yourself and others while simultaneously navigating love, physical and emotional violence, and the responsibility of immense supernatural power.
A slow, hazy beginning eventually sharpens before charging into an electric, enchanting end. (Fantasy. 14-18)Pub Date: June 2, 2020
ISBN: 978-1-250-31532-8
Page Count: 288
Publisher: Tor Teen
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
SEEN & HEARD
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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