A reasonably rewarding and thought-provoking wrap-up.
An intricate political space opera comes to an explosive finale in the Kindom Trilogy’s last installment.
After launching a violent coup, First Cloak Seti Kess, head of the Kindom government’s military arm, faces obstacles in stabilizing his regime: Not all of the politically powerful First Families are on his side, rebels are launching attacks, and the interplanetary economy teeters without the Jeveni, the despised minority who are the only ones with the willingness and expertise to process spaceship fuel. As Kess consolidates his alliances, moves against the rebels, and prepares to invade the hidden Jeveni planet of Capamame, his enemies make their own desperate plans. The popular Cleric Chono reluctantly develops her own power base, the Jeveni prepare their last-ditch defenses, and Chono’s beloved former schoolmate Six makes the best of a difficult situation, as their disguise as sociopathic First Family matriarch Esek Nightfoot begins to slip. Jacobs keeps up the excitement she generated in the two previous books; the thrilling climactic conflict takes place across multiple locations, battles, and clever infiltrations of the enemy stronghold, reading like a more complex and considerably more violent version of The Return of the Jedi finale—you can almost see the screen wipes between scenes. However, there are fewer surprises; at least two twists are such classic thriller tropes that the reader will surely see them coming. The focus of the book is on a more emotional level. The author’s note explains that the trilogy explores what happens in the aftermath of a genocide, and of course, it does that. It takes a compassionate and intelligent look at how individuals respond to significant past trauma in their lives, striving either to break or continue the cycle of violence. There’s also the socioeconomic point that if your vast economy depends on an industry operated by an oppressed minority, perhaps it’s a bad idea to treat those people so badly that they’ll do anything to escape you. It seems obvious, but certainly there are contemporary parallels.
A reasonably rewarding and thought-provoking wrap-up.Pub Date: Nov. 11, 2025
ISBN: 9780316463669
Page Count: 480
Publisher: Orbit
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
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