Franco’s witty but uneven collection of concrete poems celebrating feline antics is accompanied by striking illustrations done in pencil and finished in monoprint and Photoshop. Atop rich, textured backgrounds, cats—each one bursting with personality—stretch, fight, perch, leap, rest and pounce. Each image is saturated in bright, often fluorescent colors, incorporating the text within them. One poem, for example, called “Prickles vs. the Golden Retriever,” is printed on the spiked-up fur of a cat’s back. It reads: “Prickle’s [sic] fur / is sticking out / His back is arched. / His teeth are bared. / The dog he caught / in our backyard / is whimpering / and very scared.” An orange cat, with angry, puffed-up tail, arched back and bared teeth, occupies a quarter of the page, towering over the dog, who has flattened himself to the ground; readers see only his head, with a single tear coming from his eye, and a stretched-out paw. Capturing the spirit of each verse, Wertz turns a collection of otherwise unremarkable visual poems into a true treat for the eyes. (Picture book/poetry. 6-10)
Pub Date: April 1, 2009
ISBN: 978-1-58246-248-6
Page Count: 40
Publisher: Tricycle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author of Babe, the Gallant Pig (1985) offers another winner with this tale of a bright pig and her canny young keeper “training” a spoiled princess. When Princess Penelope demands a pig for her eighth birthday, her over-indulgent father requires every pig keeper in the country to assemble with a likely porcine candidate. The princess settles on Lollipop, who turns out to be the sole possession of penniless orphan Johnny Skinner. As only Johnny can get Lollipop to sit, roll over, or poop outdoors, soon lad and pig are comfortably ensconced together in a royal stall—at least until the pig can be persuaded to respond to the Princess’s commands. It’s only the beginning of a meteoric rise for Johnny, and for Lollipop too, as the two conspire to teach the princess civilized manners, and end up great favorites of the entire royal family. Barton (Rattletrap Car, p. 504, etc.) captures Penelope’s fuming, bratty character perfectly in a generous array of line drawings, and gives Lollipop an expression of affectionate amusement that will win over readers as effortlessly as it wins over the princess and her parents. Move over, Wilbur. (Fiction. 8-10)
Pub Date: June 1, 2001
ISBN: 0-7636-1269-3
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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