They just don't make characters like this anymore. Kudos to Prioleau for her gallant historical rescue mission.
An outsize, obnoxious, 19th-century self-made millionaire is restored to her rightful place.
Born to a family of "bounders and bankrupts" in New Orleans, her unknown biological mother likely Black, though her biraciality was never acknowledged, Miriam Florence Squier Leslie (1836-1914) clawed her way up the social structure to become an important figure in publishing, managing several magazines she inherited from her third husband, Frank Leslie. She also wrote essays and books. As Prioleau makes clear, class divisions in America were extreme during Leslie's lifetime, which encompassed the Haymarket Riots, the Johnstown flood, and the Great Depression. Yet by deploying her inimitable blend of intellect, drive, greed, sex appeal, deceit, and inferiority complex–fueled snobbery, Leslie leapt the chasm between poor and rich and amassed a huge fortune, largely spent on Gilded Age excess in lodgings, attire, and hospitality. No matter what she did—and she did plenty—this world-class striver was never embraced by the upper crust. She avoided philanthropy, preferring to revile rather than lend a hand to the poor. Yet in a brilliant final stroke that balances her more foolish and despicable choices, she left her fortune to the women's movement, funding the work that helped to pass the 19th Amendment. Prioleau, whose earlier works have focused on great seducers and seductresses, is a perfect biographer of Leslie, who was mentored by no less than Lola Montez in the application of womanly charms. “A self-mythologizer,” writes the author, “she saw herself as the legendary Lilith, the immortal gadfly and moral truant, who defied Adam’s dominion and founded her own paradise, filled with ‘jinn’ lovers and a race of ‘glorious,’ ‘rebellious daughters’ ‘claiming the New World as their special domain.’ ” The author uses anachronistic vocabulary and peppers her sentences with words and phrases quoted from source documents, giving the narrative an amusing period feel.
They just don't make characters like this anymore. Kudos to Prioleau for her gallant historical rescue mission.Pub Date: March 29, 2022
ISBN: 978-1-4683-1450-2
Page Count: 368
Publisher: Abrams
Review Posted Online: Dec. 8, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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