by Betsy Small Betsy Small ‧ RELEASE DATE: March 12, 2025
A powerful commentary and memoir that challenge Western narratives of Sierra Leone.
Awards & Accolades
Our Verdict
GET IT
A debut author blends autobiography and ethnography in this exploration of Sierra Leone in the 1980s.
The recent history of Sierra Leone is one often associated with violence, disease, and tragedy. From the decade-long Blood Diamond War of the 1990s through the Ebola outbreak of the 2010s that killed tens of thousands and displaced millions, the West African nation has been the epicenter of human rights crises for the past 30 years. In this book, Small not only encourages readers to place those tragedies within a larger post-colonial context, but also highlights a vibrant history of the nation from a grassroots perspective in the decade that predated the violence of the ’90s. A Peace Corps volunteer who was born only a year after Sierra Leone became an independent country in 1961, the author spent three years in Tokpombu, a village located 250 miles from the nation’s Atlantic coast (“Here I was, in someone else’s history and culture—in a rainforest village of 400 rice farmers along a one-lane, rock-ribbed road connecting diamond buyers with diamond diggers”). And while the book shares her direct observations on the region’s rural culture, largely based on her journal notes from that time, it fundamentally seeks to reconcile her experiences in a peaceful village with the post-1991 history of violence and disease that plagued the region. In doing so, the work is at its best when placing late-20th-century Sierra Leone within a historical context, effectively demonstrating how the events of the ’90s and early 2000s are intertwined with the nation’s history of trans-Atlantic slavery, colonialism, and changing American foreign and economic policy under the Reagan administration in the ’80s. An astute ethnographer, Small also draws comparisons between Sierra Leone’s culture and language and South Carolina’s Gullah population. The book offers insights on the advantages of the Peace Corps while recognizing the predominantly white makeup of its volunteers. Despite the Peace Corps’ active presence in Africa in the 1960s, for instance, it was not until 1977 when it saw the appointment of the first African American U.S. director. The volume’s solid grasp of history and anthropology will attract scholarly minded readers while its engaging prose delivers an accessible reevaluation of a misunderstood nation.
A powerful commentary and memoir that challenge Western narratives of Sierra Leone.Pub Date: March 12, 2025
ISBN: 9780472057290
Page Count: 218
Publisher: University of Michigan Press
Review Posted Online: May 21, 2025
Review Program: Kirkus Indie
Share your opinion of this book
by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Awards & Accolades
Likes
13
Our Verdict
GET IT
New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
Share your opinion of this book
More by Walter Isaacson
BOOK REVIEW
BOOK REVIEW
by Walter Isaacson with adapted by Sarah Durand
BOOK REVIEW
More About This Book
SEEN & HEARD
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
Share your opinion of this book
More by Brandon Stanton
BOOK REVIEW
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
BOOK REVIEW
BOOK REVIEW
by Brandon Stanton photographed by Brandon Stanton
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.