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THE LONG WAY HOME

A SAMANTHA CHURCH MYSTERY

A tense, high-stakes read with a layered cast.

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Samantha Church, recovering alcoholic, ace reporter for Colorado’s Grandview Perspective, and amateur sleuth, searches for her late friend’s lost little sister in the sixth installment of the series.

Sam’s young colleague Hunter was killed in an investigation gone bad. His only remaining family member was his little sister, Jenny, who disappeared years ago. Although Hunter is dead, Sam is obsessed with finding Jenny, and the obvious place to start is El Paso, where Hunter and Jenny were born. The reporter’s new friend, Sandy Petersen, an elementary school teacher, overhears an older fellow say “Hey, look at this, Jenny” to his young companion in a grocery store. Amazingly, that turns out to be the very Jenny in question, and the chase is on. The older man is Houston Meyers, a decorated Marine veteran. Turns out, he found Jenny while looking for paid sex but was immediately so struck by her beauty and vulnerability that he became her fierce protector. We are talking here about sex trafficking—Jenny was raised in Mexico but lured back to El Paso—and that is where attorney Amanda Moore and her henchman, Larry Henderson, come in. They are, in fact, sex traffickers. As we follow the hunt, there are the obligatory violent and nail-biting scenes. Ferrendelli is a competent if not an original writer, and Sam is a likable character/narrator. Several events are mentioned that one assumes took place in earlier books in the series. We learn a lot about sex trafficking and police procedures (Ferrendelli is an experienced journalist). Does it strain credulity the way Jenny is discovered? Let the reader decide. Moore is a despicable villain and is the one character without much nuance. Houston Meyers deserves mention as a very interesting and admirable character, as is Wilson Cole Jr., the wise owner of the Grandview Perspective. Typos don’t overly distract.

A tense, high-stakes read with a layered cast.

Pub Date: Jan. 9, 2022

ISBN: 979-8-7981-1552-5

Page Count: 288

Publisher: Independently Published

Review Posted Online: Feb. 3, 2022

Kirkus Reviews Issue: March 15, 2022

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MURDER AT KING'S CROSSING

A complex and surprising mystery enhanced by historically accurate information about the science and society of the period.

The Regency period produced many inventions. The plans for one of them provide a motive for murder.

Charlotte, Countess of Wrexford, rejoices in the wedding of her best friend, Christopher “Kit” Sheffield, to mathematician Lady Cordelia Mansfield. All goes as planned until an intruder to Wrexford Manor must be driven off by Charlotte’s husband, the Earl of Wrexford, and “the Weasels,” two street lads educated and adopted by her family. After the ceremony, a magistrate and a surgeon arrive to announce the murder of an unidentified man with a wedding invitation in his pocket, whom they assume to be Cordelia’s cousin Oliver Carrick. Hearing their description, Cordelia realizes that the dead man is actually Oliver’s fellow scientist and her old friend Jasper Milton, immediately making Oliver a suspect. The four friends and the Weasels, who’ve been instrumental in solving previous mysteries, quickly delve into this one. Jasper had been working on ideas to improve bridges in a time when transportation is mostly for the rich. A brilliant engineer, he was also philosophically opposed to the rich getting richer on the backs of the poor. Apparently several French factions are desperate to get the plans, including one that hopes to sell them to Russia for enough money to return Napoleon to power. Since His Majesty’s government and plenty of businesspeople are also anxious to get the plans, it’s no easy task to figure out which of them murdered Jasper. A conference brings many of the players together, giving the sleuths a chance to search for answers. They go down several dangerous and blind alleys in their painful hunt for the truth.

A complex and surprising mystery enhanced by historically accurate information about the science and society of the period.

Pub Date: Sept. 24, 2024

ISBN: 9781496739964

Page Count: 368

Publisher: Kensington

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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TRUST

A clever and affecting high-concept novel of high finance.

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A tale of wealth, love, and madness told in four distinct but connected narratives.

Pulitzer finalist Diaz’s ingenious second novel—following In the Distance (2017)—opens with the text of Bonds, a Wharton-esque novel by Harold Vanner that tells the story of a reclusive man who finds his calling and a massive fortune in the stock market in the early 20th century. But the comforts of being one of the wealthiest men in the U.S.—even after the 1929 crash—are undone by the mental decline of his wife. Bonds is followed by the unfinished text of a memoir by Andrew Bevel, a famously successful New York investor whose life echoes many of the incidents in Vanner’s novel. Two more documents—a memoir by Ida Partenza, an accomplished magazine writer, and a diary by Mildred, Bevel’s brilliant wife—serve to explain those echoes. Structurally, Diaz’s novel is a feat of literary gamesmanship in the tradition of David Mitchell or Richard Powers. Diaz has a fine ear for the differing styles each type of document requires: Bonds is engrossing but has a touch of the fusty, dialogue-free fiction of a century past, and Ida is a keen, Lillian Ross–type observer. But more than simply succeeding at its genre exercises, the novel brilliantly weaves its multiple perspectives to create a symphony of emotional effects; what’s underplayed by Harold is thundered by Andrew, provided nuance by Ida, and given a plot twist by Mildred. So the novel overall feels complex but never convoluted, focused throughout on the dissatisfactions of wealth and the suppression of information for the sake of keeping up appearances. No one document tells the whole story, but the collection of palimpsests makes for a thrilling experience and a testament to the power and danger of the truth—or a version of it—when it’s set down in print.

A clever and affecting high-concept novel of high finance.

Pub Date: May 3, 2022

ISBN: 978-0-593-42031-7

Page Count: 416

Publisher: Riverhead

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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