An appealing story of a woodland resident with a big heart.
Cetas provides a tale of a troll who encounters kids for the first time.
While gathering blueberries, large-eared troll Oscar hears five children, all with pale skin and light hair, playing near the cabin at the edge of the woods. Oscar’s never seen human kids before. When they decide to go exploring, Nathaniel, who was in the cabin’s bathroom, is left behind; he runs wildly after his siblings and lands in a mud pit. The others are too far away to notice. Without revealing himself, Oscar tries to get the other kids’ attention, but time’s running out. He bravely approaches the pit with a tree branch and Nathaniel grabs the other end, but it’s slippery. Finally, the other kids appear and work with Oscar to pull Nathaniel out. By the time he’s safe, Oscar’s disappeared. The next day, the kids leave Oscar a pie and a thank-you note. Oscar is a lovable character, although readers don’t get much of a sense from Kose’s full-color cartoon illustrations that the children annoy him, as the text implies. What’s most charming is Oscar’s instinct to help, even at the cost of being discovered. The text itself is big and bold, and Oscar’s depiction makes him the most distinct character with his short stature, big feet, and large ears.
An appealing story of a woodland resident with a big heart.Pub Date: N/A
ISBN: 9781956277135
Page Count: -
Publisher: Windy Sea Publishing
Review Posted Online: Sept. 12, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.
A young owl achieves his grand ambition.
Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.
A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)Pub Date: March 15, 2022
ISBN: 978-0-316-31062-8
Page Count: 48
Publisher: Christy Ottaviano Books
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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