by Bill Adair ‧ RELEASE DATE: Oct. 15, 2024
A sobering and bleak assessment of lies in politics.
How politicians are stretching the truth more than they used to.
When Adair, founder of the Pulitzer Prize–winning PolitiFact, was bureau chief for the St. Petersburg Times, he instituted national fact-checking using his Truth-O-Meter. Recent events, he says, show that lying threatens our democracy, endangers our health, and cripples our discourse. Leaning left, the book is full of excellent examples, facts, and statistics. He begins by discussing in detail a 2022 Department of Homeland Security release about a new organization created to coordinate its efforts to combat disinformation and how it went horribly bad after right-wing media attacked it as a governmental Orwellian Ministry of Truth. Adair’s detailed taxonomy of lying differentiates its severity, type, and technique. Besides Bill Clinton, the author’s lying hall of fame includes the “nation’s most prolific and damaging liar,” Donald Trump. Adair argues that when a political lie is created, campaigns must debunk it quickly and often. With the rise of so many fact-checkers, it soon became clear that Republicans “lied more—and they lied worse.” Former Democratic Senator Al Franken of Minnesota tells Adair that, in the author’s words, “lying has been part of the Republican ethos since the early 1990s,” beginning with Newt Gingrich. Adair asserts that a “citizen movement to hold politicians accountable for lying” has some promise, concluding with some ideas for helping reduce lying, such as politicians making public pledges to stop it, as well as lowering ad rates and offering more debate time for truth tellers.
A sobering and bleak assessment of lies in politics.Pub Date: Oct. 15, 2024
ISBN: 9781668050705
Page Count: 304
Publisher: Atria
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
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by Chuck Klosterman ‧ RELEASE DATE: Jan. 20, 2026
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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