After two decades as a resident of England, Bryson (Made in America, 1995, etc.) bids a very fond farewell to that sceptered isle, to that promontory of clotted cream. Before returning to his native America, Bryson launched himself on a seven-week peregrination through the hills and dells, the High Streets and hedgerows of England, Wales, and Scotland. As always, he found most of the towns and the hummocks very much to his liking, indeed. And who wouldn't smile broadly wandering through the environs of Horton in Ribblesdale or Giggleswick or journeying to Milton Keynes (which is, be assured, a place, not an economist)? The main trick to successful hiking, the author knows, is to take a bus or train or rent a car frequently between the beds and breakfasts—the latter being full English and full cholesterol. Of course, not all he encountered was wonderful. "Bradford's role in life," he notes, "is to make every place else look better in comparison, and it does this very well." "Blackpool's Illuminations," he says, "are nothing if not splendid, and they are not splendid." British Rail and the ubiquitous Marks & Spencer are not favorites, either. Bryson also has an eye, unsurpassed by that of Prince Charles himself, for nasty architecture, especially shopping centers. Despite those dark, satanic malls, England delights him. He asks, "can there anywhere on earth be, in such a modest span, a landscape more packed with centuries of busy, productive attainment?" The spelling is American, the writing is English (fat folk are seen to "Hoover up" their comestibles), and the wit is genuine. A diverting travel journal, for Anglophiles especially. A short glossary (translating such terms as "knickers" and "George Formby") is provided. A map of the journey (not included) would have been nice, luv. But all in all, a tasty crumpet.
Pub Date: May 1, 1996
ISBN: 0-688-14725-9
Page Count: 240
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
An expert blend of musical and social history, illuminating one of the cultural cores of America's ``Gilded Age.'' In the 1880s, as accurately depicted in Edith Wharton's Age of Innocence, the upper echelons of New York society flocked to Faust (a scene carefully retained in Martin Scorsese's recent film version). But by the 1890s, Wagner fever had overtaken America's most ardent opera patrons, and not in New York alone. This is the world that Horowitz (The Ivory Trade, 1990, etc.) reveals in his fascinating, gracefully written study of American Wagnerism. Currently executive director of the Brooklyn Philharmonic, formerly a New York Times music critic, and a long-time student of the interplay between musical art and national culture, Horowitz orders his narrative around the parallel careers of the conductor Anton Seidl and the New York Tribune critic Henry Krehbiel. He evokes an era when issues of aesthetics and musical philosophy were the common currency of middle-class discussion. From the viewpoint of today's world, in which the column inches devoted to serious arts criticism in the daily papers have shrunk to virtually nothing, fin-de-siäcle America was, musically and intellectually, an enviably lively place. Wagner's works dominated the stage, and his music and ``ideas'' were the subject of passionate debate. To this extent, Horowitz proves his thesis that the ``Gay '90s'' were not the crass, lowbrow scene its detractors have claimed. One fascinating recurrent theme in this study is the positive impact of Wagnerism on emerging feminism at the turn of the century. It appears that a majority of American Wagnerites were women, and the idea of Brunnhilde (as well as the regal dramatic sopranos who portrayed her) fit neatly with the notion of the ``New Woman'' then sweeping the nation. A work of engrossing scholarship about an important, unjustly ignored slice of our artistic past.
Pub Date: Oct. 1, 1994
ISBN: 0-520-08394-6
Page Count: 352
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
As is to be expected from Lessing (The Real Thing; 1992, etc.), whose clear and always intelligent no-nonsense writing has explored subjects that transcend the commonplace, this first volume of her autobiography reflects all her remarkable strengths. The year of her birth, 1919, was auspicious neither for her parents in particular nor for the world in general. The ill-matched Taylers had married not out of love but out of a mutual need to expunge the horror of the recently ended world war, which had maimed Lessing's father both physically and mentally — he'd lost a leg in battle, but more important, be was embittered by what he considered Britain's poor treatment of her soldiers. Her mother, an able nurse, had lost a fiancÉ, and marriage now seemed to offer only the consolation of children. These disappointments, exacerbated by the harsh life in rural Zimbabwe (then Southern Rhodesia), where her family settled after a stint in Persia, would indelibly shape Lessing. She quarreled frequently with her mother, whose well-meaning strictures she resented; observed her father's despair and his failures as a settler-farmer; and resolved that she would not live like them — "I will not, I will not!" — even if it meant defying convention. Which she did, as she left her first husband and their two children for another man — Gottried Lessing; joined the local Communist Party in the midst of WW II "because of the spirit of the times, because of the Zeitgeist"; and then moved in 1949 permanently to London. Like so many bright and alienated provincials, Lessing found an escape in voracious reading. Though determined to be a writer, the consuming distractions of motherhood, wartime society, and political activities frustrated this ambition for a long time. Refreshingly, not a self-indulgent mea culpa, but a brutally frank examination of how Lessing became what she is — a distinguished writer, a woman who has lived life to the full, and a constant critic of cant.
Pub Date: Sept. 22, 1994
ISBN: 0-06-017150-2
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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