Yes, dads are awesome, and if you hang out with them, they’ll teach you to be awesome too.
A boy scientifically proves that it’s the beard that makes his dad so awesome. So…how to get one?
The baby-faced white narrator won’t grow a beard for at least 10 years, but that doesn’t stop him from trying: using markers, gluing on some hair stripped from his cat. But then a TV infomercial for a Beard in a Box seems to speak directly to him: “I have an amazing offer for you.” By the end of the spot, the boy is yelling over the phone, “Please, take my money!” He carefully follows all the steps, applying the beard seeds, watering, doing the facial exercises, waiting…10-15 years. Whoa! “Who would have thought SCAM-O would be a dishonest company?” A newly shaved dad arrives on the scene to calm him down. Echoing the vignettes that began the book, the closing pages show the dad doing all the things that made him cool, only this time, he does them with his just-as-cool son, teaching him that “awesomeness…is about the kind of person you are.” Illustrations done in graphite, watercolor, and Photoshop up the humor level significantly. From the boy’s imaginings of what his beard will look like (and each beard’s accompanying attribute) to the hysterical vignettes showing him waiting for the mail, exercising his face, and expressing his frustration, the facial expressions are spot-on.
Yes, dads are awesome, and if you hang out with them, they’ll teach you to be awesome too. (Picture book. 4-8)Pub Date: April 19, 2016
ISBN: 978-0-553-50835-2
Page Count: 40
Publisher: Knopf
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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