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SURVIVORS WILL BE SHOT AGAIN

The ambling plot makes room for a few sharp deductions and the usual mild humor—nothing to frighten the horses or raise...

A string of low-level burglaries plagues Blacklin County, Texas, spelling trouble for Sheriff Dan Rhodes and his deputies (Between the Living and the Dead, 2015, etc.) and two dead men.

Ex–football star Billy Bacon, now a sedentary loan officer, has been robbed of a saddle and its stand. Melvin Hunt has lost a high-end welding rig. The neighbors have felt free to speculate why rancher Able Terrell has so far been immune from the thefts. The stakes rise, though not by all that much, when Rhodes, fresh from besting an armed convenience store robber by throwing a loaf of bread at him, responds to a call from Billy’s ranch and ends up not only taking his report of the latest theft, but discovering the body of Melvin Hunt in Billy’s barn, shot two times. The death is particularly awkward for Billy, who’s just taken down a No Trespassing sign that warned, “TRESPASSERS WILL BE SHOT. SURVIVORS WILL BE SHOT AGAIN.” He assures the sheriff that he knows nothing about Melvin’s death—well, apart from having found the corpse himself before calling the authorities—or about the marijuana growing in one of his fields or about the alligator penned up nearby, presumably to guard the crop. As it turns out, Billy isn’t the only local whose property has been partly turned over to the cultivation of cannabis, and Melvin isn’t the only local who’s due to be shot twice. Luckily, that alligator turns up in exactly the right time and place to make everything right again.

The ambling plot makes room for a few sharp deductions and the usual mild humor—nothing to frighten the horses or raise fans’ blood pressure.

Pub Date: Aug. 9, 2016

ISBN: 978-1-250-07852-0

Page Count: 272

Publisher: Minotaur

Review Posted Online: May 16, 2016

Kirkus Reviews Issue: June 1, 2016

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THE GOOD DAUGHTER

It’s hard to think of any writer since Flannery O’Connor, referenced at several key moments here, who’s succeeded as...

Slaughter’s latest break from the punishing travails of Dr. Sara Linton and Will Trent (The Kept Woman, 2016, etc.) uses a school shooting to reunite two sisters who’ve had compelling reasons for avoiding each other in the years since their own childhood horrors.

Twenty-eight years ago, two masked men broke into attorney Rusty Quinn’s Georgia home looking for the man of the house, the kind of lawyer who gives lawyers a bad name. In Rusty’s absence, things went south instantly, leaving Gamma Quinn dead, her daughter Samantha shot in the head and buried alive, and her daughter Charlotte fleeing in terror. Sam somehow survived and rose above her brain damage to become a successful New York patent attorney; Charlie remained in Pikeville, joined the criminal defense bar, and married ADA Ben Bernard. But she and Ben have separated; she’s taken solace in some quick sex with a stranger in a parking lot; and when she goes to the middle school where her one-night stand works as a history teacher to pick up the cellphone she left behind, she walks into the middle of a shooting that brings back all her own trauma. Goth girl Kelly Wilson admits she shot and killed Douglas Pinkman, the school principal, and 8-year-old Lucy Alexander, but Rusty, whose inbox is already overflowing with hate mail provoked by all the lowlifes he’s defended, is determined to serve as her attorney, with Sam as a most unlikely second chair. In addition to the multilayered conflicts among the Quinns and everyone else in town, Sam, who urged her sister to flee their childhood nightmare, and Charlie, who’s had to live with fleeing ever since, will have to deal with memories that make it hard for them to sit in the same room.

It’s hard to think of any writer since Flannery O’Connor, referenced at several key moments here, who’s succeeded as consistently as Slaughter at using horrific violence to evoke pity and terror. Whether she’s extending her franchise or creating stand-alones like this, she really does make your hair stand on end.

Pub Date: Aug. 8, 2017

ISBN: 978-0-06-243024-3

Page Count: 512

Publisher: Morrow/HarperCollins

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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A BITTER FEAST

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

A fatal accident that tangles the fates of three ill-assorted people when two cars crash into each other outside a Gloucester village raises urgent questions about the living.

Hours after being ejected from the Lamb, Viv Holland’s pub in Lower Slaughter, her former boss Fergus O’Reilly, who’s turned up without warning and pressed her to take a new job 12 years after she quit his Michelin-rated Chelsea restaurant, is found dead after a collision outside the village. Nor is he the only victim: Nell Greene, the Lamb patron who’d picked up Fergus when she saw him walking uncertainly along the road to drive him to the hospital, has also died at the scene. And there’s evidence that Fergus was fatally poisoned even before the crash. The Met’s Detective Superintendent Duncan Kincaid and his wife, DI Gemma James, are on hand to investigate because they’ve accepted an invitation to stay at Beck House, the home of DS Melody Talbot’s wealthy parents, Sir Ivan and Lady Adelaide Talbot, for whom Viv has agreed to cater an elaborate charity luncheon. But Kincaid, who was driving the car Nell struck and survived the collision only to see Nell die as he looked on helplessly, isn’t himself either physically or mentally, and the solution seems a long way off. There’ll be another murder, a series of increasingly revealing flashbacks to Viv’s stint at O’Reilly’s 12 years ago, and endless updates on the sexual histories of the suspects with the victims, each other, and the police. Through it all, Kincaid and Gemma (Garden of Lamentations, 2017, etc.) keep stiff upper lips even when the dark revelations reach into Beck House.

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-227166-2

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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