Despite its zany plot and boisterous pictures, this tale doesn’t quite take off.
An intrepid, outlandishly dressed child has a few unexpected hiccups on her first solo plane ride.
Author and illustrator duo Richardson and Pechet team up again to tell a whimsical story about Lola, who is about to fly unaccompanied to visit her grandma. Despite her mother’s anxieties about this unprecedented trip, Lola is unperturbed; equipped with mermaid leggings, a tutu, fairy wings, a unicorn baseball cap, and a magic wand, her confidence sparkles almost as brightly as her outfit. As Lola settles into seat 13A, she can scarcely get comfortable before a bubbly flight attendant named Arshbir makes a call on the intercom: An “emergency” has arisen that “only a mermaid can handle”—is there one on the plane? Lola happily accepts the challenge. More kooky obstacles ensue throughout the flight, requiring the assistance of any ballerina, fairy, and unicorn onboard (each serendipitously aligned with Lola’s clothing). The flight concludes after Lola successfully averts these oddball disasters, leaving the eccentric protagonist feeling calm when she meets up with Gran. In Pechet’s signature scribbly illustrations, Lola has pale skin, while Arshbir’s light-tan skin, sky-blue turban, full beard, and handlebar mustache code him as South Asian. Some young readers might enjoy this story’s absurd hijinks and bold characters, but others may find it long-winded, with images that seem both jarring and a bit flat.(This book was reviewed digitally.)
Despite its zany plot and boisterous pictures, this tale doesn’t quite take off. (Picture book. 5-8)Pub Date: Aug. 16, 2022
ISBN: 978-1-927917-83-1
Page Count: 52
Publisher: Running the Goat
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.
Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.
Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)Pub Date: April 7, 2020
ISBN: 978-1-7282-0623-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: April 1, 2020
This book will fascinate children expanding their horizons and learning about other cultures (or, in the case of Anishinaabe...
An introduction to the Anishinaabe tradition of totem animals.
In the tradition of the Anishinaabe people of Canada, everyone belongs to an animal clan or totem. This totem animal symbolizes the skills that each member of the clan must learn to serve their tribe. In two-page spreads, Métis artist Daniel introduces children to 12 totem animals, such as a moose, a rabbit, a raven, and a crow. One page shows a child wearing a mask representing a totem animal, while on the opposing page, a brief first-person narration explains that totem’s attributes. The playful acrylic-on-canvas illustrations have an earthy, textural feel where the surface shows through the paint. The text is child-friendly, imaginative, and short—really four lines of free verse rather than prose text. At the end of the book, Daniel has included a list of the animals and their meanings, which is helpful, as the meanings of the animals are not always obvious in each little poem. For example, the butterfly, which stands for vulnerability, is described thus: “Sometimes I feel like a butterfly, / delicate and free. / I spread my wings open / and flutter from flower to leaf.”
This book will fascinate children expanding their horizons and learning about other cultures (or, in the case of Anishinaabe kids, their own). (author’s note) (Picture book. 5-8)Pub Date: Aug. 11, 2015
ISBN: 978-1-55498-750-4
Page Count: 40
Publisher: Groundwood
Review Posted Online: June 15, 2015
Kirkus Reviews Issue: July 1, 2015
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