by Bill Wasik & Monica Murphy ‧ RELEASE DATE: April 23, 2024
A well-researched account that strikes a nice balance between description and analysis.
The authors of Rabid return with an examination of the historical shift in attitudes of Americans toward animals.
Wasik, editorial director of the New York Times Magazine, and Murphy, a veterinarian, focus on the mid to late 1800s, when “America was collectively waking up to animal suffering….It was as if, in the span of little more than a decade, animals had gone from being seen as objects, mere things that humans were justified in treating however they might like, to being creatures whose joys and sufferings had to be taken into consideration.” However, this social movement did not occur without resistance. Horses carrying heavy loads down increasingly busy streets were frequently treated cruelly, dogfighting was a common form of entertainment, and live rabbits were used by medical schools for demonstrations. This era also saw the rapid decrease in the bison population as white settlers expanded into the frontier, and countless American birds were “being slaughtered wholesale for the cause of fashion.” Wasik and Murphy explore all of these topics compassionately. Central to the discussion is Henry Bergh, who founded the American Society for the Prevention of Cruelty to Animals in 1866. The authors describe the “unexpected” and sometimes contentious relationship between Bergh and showman P.T. Barnum, and they report how the “grim, poorly ventilated” slaughterhouses in Chicago were initially met by the public with “a strange sort of fascination.” Wasik and Murphy share the contributions of other activists that “propelled the anti-cruelty cause forward,” including Philadelphian Caroline Earle White and Bostonian Emily Appleton, who were successful in establishing local chapters of the ASPCA, and George T. Angell, editor of Our Dumb Animals, an unusually named publication that ran for more than 80 years, advocating for their humane treatment.
A well-researched account that strikes a nice balance between description and analysis.Pub Date: April 23, 2024
ISBN: 9780525659068
Page Count: 464
Publisher: Knopf
Review Posted Online: Feb. 1, 2024
Kirkus Reviews Issue: March 1, 2024
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by Bill Wasik & Monica Murphy
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by Bill Wasik
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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