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DAYCARETOPIA

BILLY’S DAYCARE ADVENTURE

A serviceable addition to the early-education toolbox.

A 3-year-old goes to daycare for the first time in Coach’s picture book.

Billy is a naturally curious and enthusiastic child about to embark on a new adventure: daycare. His mom and dad tell him that they need to go to work, so he has to spend some time there. (“They called it Daycaretopia, a magical place where children could play and learn.”) Understandably, Billy is nervous on the first day, but his initial impression of daycare as colorful and full of laughter makes him optimistic. He feels he can trust his teachers, Ms. Tia and Ms. Elma, because his parents do. When it’s time to go home, Billy can only think of telling his parents all about his amazing day and how he can’t wait to go back. This book could be a useful tool for families with children going to daycare for the first time; it does not cover everything, like snack or nap routines, but it may build confidence alongside similar titles. The illustrations, unfortunately, are neither cohesive with the text, which is presented on separate pages with excessive white space, nor consistent, as they sometimes mix two- and three-dimensional artwork with no apparent purpose. Billy and his family are portrayed with brown skin and black hair.

A serviceable addition to the early-education toolbox.

Pub Date: Aug. 21, 2024

ISBN: 9798334255364

Page Count: 25

Publisher: Self

Review Posted Online: Oct. 24, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE FUTURE BOOK

It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow.

The future is now…and it’s exceedingly silly.

“This book is from the future.” What are things like there? Barnett enlightens readers: “The sun is called the moon and the moon is called the sun.” Readers learn that apples no longer exist (Barnett doesn’t explain why), that lots of people are named “Charlie Cheese Face” (“There’s an interesting reason why, but we don’t have time for that story”), and that instead of “goodbye,” people now say, “You smell like a baby!” The work closes with a ridiculous conversation between two characters who somehow manage to work in most of the new terms. This tale’s raison d’être seems to be coming up with the goofiest alternatives to normal day-to-day terms and interactions. Barnett gets seriously silly as he thinks up gags ideal for reading aloud at storytime. As for Harris’ art, aside from the occasional cool pair of sunglasses or hair dye, the future feels pretty early-21st-century; his colorful ink and gouache illustrations are rife with visual gags. Futuristic terms look as if they were printed on a label maker. Human characters vary in skin tone.

It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9798217033171

Page Count: 40

Publisher: Knopf

Review Posted Online: Nov. 8, 2025

Kirkus Reviews Issue: Dec. 15, 2025

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