A teenager rewrites her story in this enchanting yarn.
In Willis and Andelfinger’s graphic novel, a high schooler finds herself thrown inside her own fiction.
Brie Page just wants to get through high school being as invisible as possible so she can go home and write her stories, or listen to her podcast about writing, or think about writing. When her mother forces her out of the house to do “normal teen stuff,” Brie finds herself in front of a bookstore she’s never seen before. The very strange store owner’s name is Ambrose. When Brie confesses her teenage woes, Ambrose offers to let her buy a special pen that will supposedly help Brie in crafting her tales and escaping the real world. After fighting with her former friend Viv on the way home, Brie sits down with her new pen and starts to write three different stories, with hours passing in the blink of an eye. The next morning, Brie opens her locker at school to find a portal inside. Entering it takes her to another world with talking horses and a sorceress—and Brie herself is the queen. Knowing this is one of her yarns, Brie follows the plot, but it doesn’t quite go as she wrote it (“This was supposed to be the end of the story…and yet I’m still here!”). Hopping from one of her texts to the next, Brie starts to realize something is going on and changes her writing, pulling her family and friends into the madness. In this cleverly constructed graphic novel, Taylor and Marchbank use mostly black-and-white illustrations, switching to bright colors when Brie hops into her stories. With inspirational themes of standing up for yourself against bullies, taking charge of your own narrative, and finally finding a way to talk to your crush, this engaging story has something for everyone.
A teenager rewrites her story in this enchanting yarn.Pub Date: June 18, 2024
ISBN: 9781952303579
Page Count: 216
Publisher: Maverick
Review Posted Online: April 29, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
Utterly charming and swoonworthy.
Two beloved characters from artist Eunnie’s Instagram feed get a full-length graphic novel treatment.
Readers meet college student Momo just as she’s about to encounter PG for the first time. It’s not an ideal meet-cute, however. Momo is doing her friend Kayla a favor by dropping off some class notes at Kayla’s friend Lea’s dorm room. When scantily clad PG answers the door, Momo is immediately flustered by how gorgeous she is—but she learns that PG has a reputation for seducing women and avoiding serious commitments, the exact opposite of Momo, who’s never dated anyone. Still, after witnessing a fraught situation at a nightclub, Momo overcomes her shyness to check on PG. They have an open conversation and a romantic dance. Running into each other around town turns into texting, which turns into mutual big feelings. Readers will fall in love with both young women as they fall in love with each other. Their conflicts give them depth and feel believable for their stage of life, their different but equally relatable backstories are fleshed out, and the satisfying resolution inspires happiness. Well-developed friendships play smaller but still important roles. The appealing artwork features clean, pastel-tinted backgrounds and doe-eyed characters with expressive faces. Momo has dark brown skin and wavy brown hair; PG is Vietnamese American.
Utterly charming and swoonworthy. (Graphic romance. 14-adult)Pub Date: Oct. 17, 2023
ISBN: 9780593403228
Page Count: 336
Publisher: Viking
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Immensely enjoyable.
The debut graphic novel from Mohamed presents a modern Egypt full of magical realism where wishes have been industrialized and heavily regulated.
The story opens with a televised public service announcement from the General Committee of Wish Supervision and Licensing about the dangers of “third-class wishes”—wishes that come in soda cans and tend to backfire on wishers who aren’t specific enough (like a wish to lose weight resulting in limbs falling from the wisher’s body). Thus begins a brilliant play among magic, the mundane, and bureaucracy that centers around a newsstand kiosk where a devout Muslim is trying to unload the three “first-class wishes” (contained in elegant glass bottles and properly licensed by the government) that have come into his possession, since he believes his religion forbids him to use them. As he gradually unloads the first-class wishes on a poor, regretful widow (who then runs afoul of authorities determined to manipulate her out of her valuable commodity) and a university student who seeks a possibly magical solution to their mental health crisis (but struggles with whether a wish to always be happy might have unintended consequences), interstitials give infographic histories of wishes, showing how the Western wish-industrial complex has exploited the countries where wishes are mined (largely in the Middle East). The book is exceptionally imaginative while also being wonderfully grounded in touching human relationships, existential quandaries, and familiar geopolitical and socio-economic dynamics. Mohamed’s art balances perfectly between cartoon and realism, powerfully conveying emotions, and her strong, clean lines gorgeously depict everything from an anguished face to an ornate bottle. Charts and graphs nicely break up the reading experience while also concisely building this larger world of everyday wishes. Mohamed has a great sense of humor, which comes out in footnotes and casual asides throughout.
Immensely enjoyable.Pub Date: Jan. 10, 2023
ISBN: 978-1-524-74841-8
Page Count: 528
Publisher: Pantheon
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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