A well-intentioned but awkwardly executed look at lesser-known events of World War II.
Oldre’s historical novel delves into the struggles of Romani people under Nazi occupation.
In the late 1930s, a Romani family travels though the prewar Czechoslovakia, trying to make a living. Fifteen-year-old Jana Benak is used to this nomadic life, helping her stepmother Zofie take care of younger siblings, telling fortunes in town, and scavenging for supplies, but she longs for more independence and self-expression. Not long after Jana’s family arrives in Prague, they’re caught in the crosshairs of conflict: Nazi soldiers flood the country, bringing out deep-seated animosity between the local Germans and the Czech population. For the Romani, this means even more uncertainty and persecution; many men in Jana’s family are arrested, their horses are requisitioned for the German army’s needs, and a brief but chilling encounter between Jana and Adolf Hitler himself leaves no doubt about his plans: “We’ll soon be rid of her race,” he mutters to his entourage. The novel follows several characters as they attempt to resist the Nazis. Jana forms a connection with a clockmaker, Joseph Novotny, at the castle where she works; he trains her to deliver clandestine messages. Meanwhile, Jana’s friend Otto is drawn into a plot to tamper with the steel used for gun production, and his Czech friend Albert uses his family’s means to help Romani people escape the occupied territories. Overall, this historical novel has a compelling premise, tackling an underrepresented story of the Second World War. However, the aimless plot and overly large cast of characters make for a tedious read. Small incidents eventually coalesce into a larger picture, but when the climax finally arrives, it rests on a historical figure who’s otherwise peripheral to the main action. Oldre’s impressive research shines in the descriptions of Romani life and traditions. However, some of the dialogue is so slangy that it feels almost anachronistic (“Can you believe those jerks?”; “get your ass back on the job, pronto”).
A well-intentioned but awkwardly executed look at lesser-known events of World War II.Pub Date: June 6, 2023
ISBN: 9781647424343
Page Count: 270
Publisher: She Writes Press
Review Posted Online: June 6, 2023
Review Program: Kirkus Indie
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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