A rewarding book with much to offer, including the likely spark of new interest in how singular choices made by both men and...
The carnage of war, the rise of a dictator and one North Korean defector’s life story all come together in this combination of biography, military history and exposé.
Harden (Escape from Camp 14: One Man's Remarkable Odyssey from North Korea to Freedom in the West, 2012, etc.) skillfully fuses all his narrative threads into one united chronicle. In narrating the rise of North Korea’s first communist dictator, Kim Il Sung, Harden ties Kim’s story to that of defector No Kum Sok. The once-privileged son of a factory owner under Japanese rule, No disliked communism and its constraints from the start and began planning his escape the first time he heard Kim speak in person. No spent five years pretending to be zealously committed to the party in order to protect himself long enough to put his plan into action. He joined the navy and volunteered to become a fighter pilot in hopes of flying his way out of North Korea. Eventually, he did just that, crossing the border to South Korea in a MiG-15 and leaving Kim and communism behind for good. To complement both No’s and Kim’s stories, Harden keeps the Korean War in the foreground. He includes details that were left out of American news and military reports, using recently disclosed military documents and No’s eyewitness testimony. The U.S looms large in this book, both as a dream destination for No and a terrifying agent of death and destruction for his homeland. Using this multifaceted view, Harden explains how Kim, though laughably inept regarding military strategy and in fulfilling his nation’s needs, was able to build a lasting dictatorial dynasty.
A rewarding book with much to offer, including the likely spark of new interest in how singular choices made by both men and nations can reverberate for generations.Pub Date: April 7, 2015
ISBN: 978-0-670-01657-0
Page Count: 288
Publisher: Viking
Review Posted Online: Dec. 10, 2014
Kirkus Reviews Issue: Jan. 1, 2015
PERSPECTIVES
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
SEEN & HEARD
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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