Everything you always wanted to know about the ancient Egyptian practice of mummifying corpses—and so much more. Brier (Ancient Egyptian Magic, 1980) sets the tone early: ``For 15 years,'' he states matter-of-factly, ``I had been working toward the goal of mummifying a human.'' Imagine his surprise and disappointment when the C.W. Post campus of Long Island University (where he is chairman of the philosophy department) declined the honor of being the site of this project, which among other things would have entailed keeping an unembalmed corpse on the campus for 70 days. The text treats the reader to a scattershot review of the wide variety of information Brier learned about mummies while doing research for the mummification. These range from clinical descriptions of the process (derived from Herodotus and other ancient writers as well as from archaeological evidence) through an account of the development of mummification in ancient Egypt to a fascinating look at medical information scientists have derived from mummies (for instance, that ancient Egyptians suffered from often fatal tooth decay and arterial diseases). Brier discusses French scientists' close, but disappointingly unfruitful, study of Ramses the Great's mummy, briefly takes note of the Egyptian religious and cultural practice of mummifying animals, and inventories famous royal mummies. He concludes rather far afield with a discussion of ``The Mummy in Fiction and Film.'' Mercifully, the book closes before he embarks on the macabre task of actually mummifying a medical cadaver in the ancient manner, which is scheduled to take place this summer. A great gift idea for the hard-core Egyptologist in your life. General readers with strong stomachs may also enjoy Brier's eccentric ramble through the ancient world. (125 b&w photos, not seen)
Pub Date: Sept. 23, 1994
ISBN: 0-688-10272-7
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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