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EGYPTIAN MUMMIES

UNRAVELING THE SECRETS OF AN ANCIENT ART

Everything you always wanted to know about the ancient Egyptian practice of mummifying corpses—and so much more. Brier (Ancient Egyptian Magic, 1980) sets the tone early: ``For 15 years,'' he states matter-of-factly, ``I had been working toward the goal of mummifying a human.'' Imagine his surprise and disappointment when the C.W. Post campus of Long Island University (where he is chairman of the philosophy department) declined the honor of being the site of this project, which among other things would have entailed keeping an unembalmed corpse on the campus for 70 days. The text treats the reader to a scattershot review of the wide variety of information Brier learned about mummies while doing research for the mummification. These range from clinical descriptions of the process (derived from Herodotus and other ancient writers as well as from archaeological evidence) through an account of the development of mummification in ancient Egypt to a fascinating look at medical information scientists have derived from mummies (for instance, that ancient Egyptians suffered from often fatal tooth decay and arterial diseases). Brier discusses French scientists' close, but disappointingly unfruitful, study of Ramses the Great's mummy, briefly takes note of the Egyptian religious and cultural practice of mummifying animals, and inventories famous royal mummies. He concludes rather far afield with a discussion of ``The Mummy in Fiction and Film.'' Mercifully, the book closes before he embarks on the macabre task of actually mummifying a medical cadaver in the ancient manner, which is scheduled to take place this summer. A great gift idea for the hard-core Egyptologist in your life. General readers with strong stomachs may also enjoy Brier's eccentric ramble through the ancient world. (125 b&w photos, not seen)

Pub Date: Sept. 23, 1994

ISBN: 0-688-10272-7

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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