A well-intentioned but ill-executed speculative work.
The famous abolitionist plots her comeback with the help of a hip-hop producer.
The literary debut by Bob the Drag Queen—Instagram star, Madonna concert emcee, and winner of RuPaul’s Drag Race—imagines a host of famous figures returning to life: Cleopatra is a fashion influencer, John D. Rockefeller is a robber baron all over again, and Harriet Tubman, a key figure in the Underground Railroad, wants to share her story via a Hamilton-style album. To assist, she’s assembled a backing band called the Freemans as well as the narrator, Darnell, a producer who’s down on his luck for reasons revealed later in the novel. For the moment, though, the project is an opportunity for him to “reconcile what it means to be Black, queer, and American all at once.” Bob doesn’t explain why Tubman’s resurrection has occurred, or why Tubman is, of all things, a musical talent—the novel is mainly a thought exercise about what Tubman’s ferocity and determination might mean in our current moment. Conceptually, that’s intriguing, but eliding the whys and wherefores would be more forgivable if Bob’s treatment of the conceit wasn’t so simplistic. Insights into the horrors of slavery or pioneering drag figures like William Dorsey Swann are whittled down to observations slight even by the standard of Insta captions. (“I can’t even imagine the patience it must take to wait your turn for freedom. Hell, I don’t even like to sit through commercials on YouTube.”) The role of Quakers in the abolition movement is reduced to a blunt-smoking little person working as Tubman’s DJ. Some imagined lyrics are included, but descriptions of the creative process are shallow. (“She had written a song and wanted me to take a look at it, to see if it was any good. It was great.”) Bob is seemingly concerned that Tubman’s labors aren’t considered relevant to the current moment, but the novel exchanges sepia for cardboard.
A well-intentioned but ill-executed speculative work.Pub Date: March 25, 2025
ISBN: 9781668061978
Page Count: 240
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
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