A highly detailed autobiography by a unique figure in American cultural history that will interest historians and...
Hart, in his debut, tells of how his jagged path through the music industry led to heartbreak—but also to happiness.
This snappy yet reflective memoir opens with an episode that’s emblematic of its narrator. While struggling to make it in Hollywood, Hart listened to the radio and detected an unsatisfying insincerity in the DJ’s voice. Hart’s desire for authenticity, and his connections in entertainment, would go on to propel him on a remarkable journey through the music world. He left his hometown of Phoenix to start six months of active duty in the U.S. Army Reserve in Monterey, California, and soon found himself entangled in the glamour and grit of Hollywood—that “circus of extremes for the senses with its bright lights and colorful characters”—while working for a company that manufactured labels for vinyl records. His own recording career, though, began one fateful Saturday, when he booked studio time for himself and became amazed at the possibilities that emerged when he combined his musical background with skillful sound engineering. What followed were years of risk and uncertainty and powerful collaborations with other musicians—as well as love, loss, and friendship. Hart candidly depicts his hyperactive, out-and-about lifestyle as a musician and songwriter who struggled to balance the work that gave his life meaning with his commitment to his family. Sometimes the strain proved too much, and his relationship with his first wife deteriorated as a result. Along the way, countless projects with his songwriting partner, Tommy Boyce, rolled by, as did the tumultuous cultural and historical events of the 1960s. Before long, the duo was writing songs for The Monkees, including “(Theme from) The Monkees,” “Last Train to Clarksville,” and “Valleri.” In the memoir’s most captivating pages, Hart recounts the stratospheric rise of that artificially engineered musical group. Particularly engaging are Hart’s anecdotes about his own songwriting process; he recounts, for instance, that the song fragment that eventually became “Last Train to Clarksville” was inspired by a mishearing of the Beatles’ 1966 single “Paperback Writer.”
A highly detailed autobiography by a unique figure in American cultural history that will interest historians and pop-culture aficionados alike.Pub Date: May 12, 2015
ISBN: 978-1590792902
Page Count: 384
Publisher: SelectBooks
Review Posted Online: April 22, 2015
Kirkus Reviews Issue: June 1, 2015
Review Program: Kirkus Indie
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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